Riverside Other Series
BOX
SDP-11 (5LPs album)
RIVERSIDE HISTORY OF CLASSIC JAZZ
RLP12-112 BACKGROUNDS / RAGTIME
(Volume 1 and 2 of The RIVERSIDE HITORY OF CLASSIC JAZZ)
JELLY ROLL MORTON – BLIND LEMON JEFFERSON – SCOTT JOPLIN – COW COW DAVENPORT
Backgrounds (Vol.1)
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Congo tribal music: Royal Drums of the Abatutsi; Abatutsi Girls’ Songs; Lobertina (8:59)
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Street Cries of Charleston (2:10)
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BLIND LEMON HEFFERSON: Shuckin’ Sugar (3:03)
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REV. J. M.GATES and Congregation: I’m Going to Heaven if It Takes My Life (2:44)
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SODERO’S MILITARY BAND: Slidus Trombonus (1:19)
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FRED VAN EPS: Ragtime Oriole (3:20)
Ragtime (Vol. 2)
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Cakewalk (performer unknown): At a Georgia Camp Meeting (2:35)
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SCOTT JOPLIN: The Cascades (2:06)
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JAMES SCOTT: Frogs Legs Rag (2:33)
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JOSEPH LAMB: American Beauty Rag (2:42)
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JELLY ROLL MORTON: Perfect Rag (2:41)
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COW COW DAVENPORT: Atlanta Rag (3:07)
RLP12-113 THE Blues / New Orleans Style
(Volume 3 and 4 of The RIVERSIDE HISTORY OF CLASSIC JAZZ)
LOUIS ARMSTRONG – JELLY ROLL MORTON –BESSIE SMITH – MA RAINEY – KING OLIVER
The Blues (Vol.3)
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MA RAINEY : Titanic Man Blues (2:43)
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BESSIE SMITH : St. Louis Blues (3:38)
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IDA COX : I’ve Got the Blues for Rampart Street (2:46)
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CHIPPIE HILL : Around the Clock Blues (3:06)
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BLIND LEMON JEFFERSON : Risin’ High Water (2:27)
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BIG BILL BROONZY : Big Bill Blues (2:59)
New Orleans Style (Vol.4)
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KING OLIVER ‘S Creole Jazz Band : Froggie Moore (3:04)
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JELLY ROLL MORTON : The Pearls (3:12)
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JELLY ROLL MORTON : Big Foot Ham (2:49)
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NEW ORLEANS RHYTHM KINGS : Livery Stable Blues (2:34)
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ORIGINAL MEMPHIS MELODY BOYS : Blue Grass Blues (2:52)
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RED ONION JAZZ BABIES : Cake Walking Babies from Home (3:23)
RLP12-114 BOOGIE WOOGIE / SOUTH SIDE CHICAGO
(Volume 5 and 6 of THE RIVERSIDE HISTORY OF CLASSIC JAZZ)
JIMMY YANCEY – MEADE LUX LEWIS – JOHNNY DODDS - FREDDIE KEPPARD – TOMMY LADNIER
Boogie Woogie (vol. 5)
1. WESLEY WALLACE: No. 29
2. JIMMY YANCEY: The Fives (3:02)
3. CRIPPLE CLARENCE LOFTON: Blue Boogie (2:51)
4. MEADE LUX LEWIS: Far Ago Blues (4:05)
5. ART HODES: South Side Shuffle (2:58)
6. PETE JOHNSON: Lone Star Blues (3:06)
South Side Chicago(vol. 6)
1. JOHNNY DODDS and TINY PARHAM: Oh, Daddy (2:27)
2. FREDDIE KEPPARD: Salty Dog (2:45)
3. BARRELHOUSE FIVE: Mama Stayed Out (3:09)
4. STATE STREET RAMBLERS: Careless Love (3:21)
5. LOVIE AUSTIN’S Blues Serenaders: Jackass Blues (3:04)
6. DOC COOK’s Dreamland Orch: The Memphis Maybe Man (2:39)
RLP12-115 CHICAGO STYLE / HARLEM
(Volumes 7 & 8 of THE RIVERSIDE HISTORY OF CLASSIC JAZZ)
BIX BEIFERBECKE – MUGGSY SPANIER – FATS WALLER – JAMES P. JOHNSON – DUKE ELLINGTON
Chicago Style (vol. 7)
1. MUGGSY SPANIER’S Stomp Six: Why Couldn’t It Be Poor Little Me (2:35)
2. BIX BEIDERBECKE: Royal Garden Blues (2:50)
3. THE WOLVERIENS: When My Sugar Walks Down the Street (2:58)
4. CHARLES PIERCE Orch.: China Boy (2:24)
5. JUNGLE KINGS: Friars Point Shuffle (2:56)
6. WINGY MANNONE: Up the Country (3:02)
Harlem; (vol. 8)
1. JAMES P. JOHNSON: Harlem Strut (2:21)
2. FATS WALLER: Mama’s Got the Blues (2:50)
3. CLIFF JACKSON: Hock Shop Blues (4:21)
4. CLARENCE WILLIAMS Orch.: Midnight Stomp (3:00)
5. DUKE ELLINGTON’S Washingtonians: Rainy Nights (3:24)
6. FLETCHER HENDERSON Orch.: Hop Off (3:19)
RLP12-116 NEW YORK STYLE / NEW ORLEANS REVIVAL
(Volumes 9 and 10 of THE RIVERSIDE HISTORY OF CLASSIC JAZZ)
RED NICHOLS – MUGGSY SPANIER – KID ORY – BUNK JOHNSON – GEORGE LEWIS – LU WATTERS
New York Style (vol. 9)
1. ORIGINAL MEMPHIS FIVE: Sweet Lovin’ Mama (2:50)
2. CALIFORNIA RAMBLERS: Sweet Man (3:34)
3. RED and MIFF’S STOMPERS: Stampede (4:35)
4. WILD BILL DAVISON: Eccentric (2:21)
5. YANK LAWSON: Yank’s Blues (2:31)
6. MUGGSY SPANIER: Muscrat Ramble (2:36)
New Orleans Revival (vol. 10)
1. KID ORY: Weary Blues (2:40)
2. BUNK JOHNSON: Make Ma a Pallet on the Floor (3:48)
3. GEORGE LEWIS: Careless Love (5:00)
4. LU WATTERS’ YERBA Buena Jazz Band: Antigua Blues (3:04)
5. BOB HELM: Dawn Club Joys (2:50)
6. DIXIELAND RHYTHM KINGS: St. James Infirmary (2:41)
NOTE: SDP-11 (album set), SDP-11-R (box set)
SDP-11 “History of Classic Jazz” produced by Bill Grauer, Jr. and Orrin Keepnews
With n introductory essay by Charles Edward Smith
RIVERSIDE RECORDS are released by BILL GRAUER PRODUCTIONS
418 West 49th Street, New York 19, N.Y.
SDP-11 SDP-11 (book)
Side 1 Side 2 Side 3 Side 4 Side 5 Side 6 Side 7 Side 8 Side 9 Side 10
SDP-11-R SDP-11-R (book)
Side 1 Side 2 Side 3 Side 4 Side 5 Side 6 Side 7 Side 8 Side 9 Side 10
RLP12-112 RLP12-113 RLP12-114 RLP12-115 RLP12-116
SDP-22 (4LPs BOX)
Cyril Richard: Alice’s Adventures in Wonderland (RLP-7008 – 7011)
CYRIL RITCHARD
Cyril Ritchard (readings, sung) performed by the New York Woodwind Quintet: John Barows (frh) Samuel Baron (fl) Bernard Garfield (bassoon)
Jerome Roth (oboe) Davis Glazer (cl) Arthur Marotti (perc) original music by Alec Wilder.
NYC; Spring and Summer, 1957
Overture
Chapter I
Chapter II (part 1)
Chapter XI (part 2)
Chapter XII and Finale
Chapter II (part 2)
Chapter III
Chapter IV (part 1)
Chapter X
Chapter XI (part 1)
Chapter IV (part 2)
Chapter V (part 1)
Chapter VIII (part 2)
Chapter IX
Chapter V (part 2)
Chapter VI
Chapter VII
Chapter VIII (part 1)
RLP-7008 SDP-22
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- -
- -
- -
RLP-7009 -
- -
- -
- -
- -
RLP-7010 -
- -
- -
- -
RLP-7011 -
- -
- -
- -
RLP-7008/7011, SDP-22 “Alice’s Adventures in Wonderland”
Readings recorded at WOR-Mutual Studios; music recorded at Reeves Sound Studios
Directed by Barrett Clark; music recording Engineer: Jack Higgins. Modern voices recordings are produced by Modern Voices, Inc.
and released exclusively on Riverside Records by Bill Grauer Productions.
SDP-22 edition produced for, and distributed exclusively by, Crown Publishers, Inc.
SDP-22 (BOX) (small blue) SDP-22 (book)
7008 7009 7010 7011
These box sets made after the Bill Grauer Production except Cannonball Adderley.
These four musicians have made great records in Riverside label on jazz history.
THELONIOUS MONK BOX (CD BOX & discography on RIVERSIDE)
THELONIOUS MONK THE COMPLETE RIVERSIDE RECORDINGS
front
book
side 1
side 2
side 3
side 4
side 5
side 6
side 7
side 8
side 9
side 10
side 11
side 12
side 13
side 14
side 15
side 16
side 17
side 18
side 19
side 20
side 21
side 22
side 23
side 24
side 25
side 26
side 27
side 28
side 29
side 30
side 31
side 32
side 33
side 34
side 35
side 36
side 37
side 38
side 39
side 40
side 41
side 42
side 43
side 44
CD box
CD book
CDs
THELONIOUS MONK TRIO
Thelonious Monk (p) Oscar Pettiford (b) Kenny Clarke (drs)
Van Gelder Studios, Hackensack, New Jersey; July 21 & 27, 1955
It Don’t Mean a Thing If It Ain’t Got
That Swing (4:38) RLP12-201 RLP-3510 RM483 REP-111
Sophisticated Lady (4:27) -
I Got It Bad and That Ain’t Good (5:52) -
Black and Tan Fantasy (3:24) - RLP-3507 M-47064 -
Mood Indigo (3:13) - -
I Let A Song Go out of My Heart (5:40) -
Solitude (3:42) - S (9)-8 M-47004 -
Caravan (5:55) -
NOTE: all 8 titles also on M-47052, SMJ-6039M, OJC-024, VDJ-1528, WWLJ-7070, VIJ-5102/23, VDJ-25010/24CD,
VICJ-23614CD, VICJ-5166CD, VICJ-2045CD, VICJ-60472CD, VICJ-41271CD, UCCO-9070CD, UCCO-5084CD
RLP12-201 “Thelonious Monk Plays the Music of Duke Ellington” notes by Orrin Keepnews.
Cover design by Paul Bacon and photo by Carole Reiff Galletly.
RM(S9)-483/4 “The Thelonious Monk Story”
RLP-3507 “The Compositions of Duke Ellington, Vol. 1”
RLP-3510 “The Compositions of Duke Ellington, Vol. 2”
S(9)-8 “The Soul of Jazz Sampler”
Produced by Orrin Keepnews and Bill Grauer; recorded by Rudy Van Gelder
RLP12-201
RM-483/4
RLP-3507
RLP-3510
S (9)-8
VIJ-5102/23
RICD-822-2
THELONIOUS MONK TRIO
Thelonious Monk (p) Oscar Pettiford (b) Art Blakey (drs)
Van Gelder Studios, Hackensack, New Jersey; March 17 & April 3, 1956
Liza (3:10) RLP12-209 RLP12-267 RLP-3517 REP-113 S-3
Memories of You (4:16) - M-47004 -
Honeysuckle Rose (5:23) - SMJ-9546
Darn That Dream (6:29) -
Tea for Two (5:52) - -
You Are Too Beautiful (4:55) - RM(S9)-3514
Just You, Just Me (7:58) -
NOTE: all 7 titles also on M-47052, SMJ-6068M, VIJ-125, WWLJ-7071, VIJ-5102/23, VICJ-23554CD, VDJ-25010/24CD,
VICJ-2060CD, VICJ-60351CD, VICJ-41074CD, UCCO-9071CD, UCCO-5079CD
‘You Are Too Beautiful’ (4:43) on RM(S9)-3514
RLP12-209 “The Unique” Produced by Orrin Keepnews and Bill Grauer and notes by Orrin Keepnews.
Recording Engineer: Rudy Van Gelder .Cover design by Gene Gogerty and photo by Carole Reiff Gallerly.
S-3 “Riverside Modern Jazz Sampler”
RLP12-267 “Riverside Drive”
RM(S9)-3514 “Great Artists Play Compositions of Richard Rodgers”
RLP-3517 “Greatest Artists Play Compositions of Harold Arlen”
RLP12-209
S(S9)-3
RLP12-267
RM-3514
RLP-3517
VIJ-5102/23
RICD-822-2
THELONIOUS MONK QUINTET
Ernie Henry (as) Sonny Rollins (ts) Thelonious Monk (p,celeste) Oscar Pettiford (b) Max Roach (drs)
Reeves Sound Studios, NYC; October 9, 1956
Ba-Lue Boliver Ba-Lues-Are (13:15) RLP12-226 RLP12-266 SMJ-6176M VIJ-150
Pannonica (8:50) -
Pannonica (incomplete) (2:34)
NOTE: both titles also on RSLP-1174, M-47023, SMJ-6136M, VIJ-107, OJC-026, VDJ-1526, VIJ-5102/23, VICJ-23523CD,
VICJ-5119CD, VDJ-25010/24CD, VICJ-2085CD, VICJ-60296CD, VICJ-41035CD, VICJ-41225CD,
UCCO-9029CD, UCCO-5020CD
All 3 titles also VIJ-5102/23, UCCO-0483CD
RLP12-226 “Brilliant Corners” notes by Orrin Keepnews. Cover design by Paul Baacon and photo by Paul Weller.
RLP12-266 “Ernie Henry: Last Chorus”
Produced by Orrin Keepnews and Bill Grauer, recording Engineer: Jack Higgins
RLP12-226
RLP12-266
VIJ-5102/23
RICD-822-2
THELONIOUS MONK QUINTET
Ernie Henry (as) Sonny Rollins (ts) Thelonious Monk (p, celeste) Oscar Pettiford (b) Max Roach (drs)
Reeves Sound Studios, NYC; October 19, 1956
Brilliant Corners (7:42) RLP12-226
NOTE: this title also on Rvs45-608, RLP12-421, RSLP-1174, M-47023, M-47064, SMJ-6136M, SMJ-9546, VIJ-107, OJC-026,
VDJ-1526, VIJ-5102/23, VICJ-23523CD, VICJ-5119CD, VICJ-2085CD, VICJ-60296CD, VICJ-41035CD, VICJ-41225CD,
UCCO-9029CD, UCCO-5020CD
RLP12-226 “Brilliant Corners” Produced by Orrin Keepnews and Bill Grauer, recording Engineer: Jack Higgins
Cover design by Paul Baacon and photo by Paul Weller.
RLP12-421 “Thelonious Monk: Greatest Hits”
‘Brilliant Corners’ (6:21) on RLP12-421
RLP12-226
RLP12-421
VIJ-5102/23
RICD-822-2
THELONIOUS MONK QUINTET
Clark Terry (tp) Sonny Rollins (ts) Thelonious Monk (p) Paul Chambers (b) Max Roach drs)
Reeves Sound Studios, NYC; December 7, 1956
Bemsha Swing (7:42) RLP12-226 RSLP-1174 M-47023
I Surrender, Dear (1) (5:52) - - M-47004 SMJ-9547
NOTE: (1) Thelonious Monk (p) solo
both titles also on SMJ-6136M, VIJ-107, OJC-026, VDJ-1526, VIJ-5102/23 VICJ-23523CD, VICJ-5119CD,
VICJ-2085CD, VICJ-60296CD, VICJ-41035CD, VICJ-41225CD, UCCO-9020CD, UCCO-5020CD,
RLP12-226 “Brilliant Corners” Produced by Orrin Keepnews and Bill Grauer, recording Engineer: Jack Higgins
Cover design by Paul Bacon and photo by Paul Weller.
RLP12-226
VIJ-5102/23
RICD-822-2
THELONIOUS MONK
Thelonious Monk (p) Reeves Sound Studios
NYC; April 5, 1957
Ghost of A Chance (take 5) (4:08)
Ghost of A Chance (take 7) (4:20) RLP12-235
I Should Care (take 1) (3:27)
I Should Care (take 2) (1) (3:17)
I Should Care (take 3) (3:15) -
‘Round Midnight (in progress) (21:15) (A) M-47067 VIJ-4032
‘Round Midnight (take 7) (6:40) - M-47064 - SMJ-9547
NOTE: 3 titles of RLP12-235 also on M-47004, SMJ-6053M, VIJ-105, VDJ-1537CD, RLP-12-235 + (A) also on VICJ-23522CD,
VICJ-5075CD, VICJ-2116CD, VICJ-60170CD, VICJ-60295CD, VICJ-61069CD, VICJ-41034CD, VICJ-41224CD,
UCCO-9010CD, UCCO-5014CD
all titles also on VIJ-5102/23, VDJ-25010/24CD, VICJ-60110/24
(1) previously issued in Italy only
RLP12-235 “Thelonious Himself: solo piano by Thelonious Monk” Produced and notes by Orrin Keepnews.
Recording Engineer: Jack Higgins. Cover design by Paul Bacon and photo by Paul Weller.
VIJ-4032 “Thelonious Monk: ‘Round Midnight” cover designed and photo by K. Abe. (sampler)
RLP12-235
VIJ-5102/23
VIJ-4032 (sampler)
RICD-822-2
THELONIOUS MONK
Thelonious Monk (p) solo Reeves Sound Studios
NYC; April 12. 1957
April in Paris (3:50) RLP12-235 MSP-1 M-47004 SMJ9547
I’m Getting Sentimental Over You (4:01) - - -
Monk’s Mood (false start) (0:55)
Monk’s Mood (1) (7:51) - RLP12-28 M-47011
Functional (take 1) (9:46) JLP-46
Functional (take 2) (9:17) - - -
All Alone (4:50) - RLP-3519
NOTE: (1) John Coltrane (ts) & Wilbur Ware (b) added
“Monk’s Mood” (5:10) on RLP12-284
5 titles of RLP12-235 also on SMJ-6053M, VIJ-105, VDJ-1537CD, VICJ-23522CD, VICJ-5075CD, VICJ-2116CD,
VICJ-2116CD, VICJ-60170CD, VICJ-60295CD, VICJ-61069CD, VICJ-41034CD, VICJ-41224CD, UCCO-9010CD, UCCO-5014CD
all 7 titles also on VIJ-5102/23, VDJ-25010/24CD, VICJ-60110/24, JLP(S9)-46 also on RLP(S9)-490 & SMJ-6149,
M-47004, VIJ-119, VDJ-1510CD, VICJ-23524CD, VICJ-5137CD, VICJ-2118CD, VICJ-60334CD, VICJ-41075CD,
UCCO-9073CD, UCCO-5053CD
RLP12-235 “Thelonious Himself: solo piano by Thelonious Monk” Produced and notes by Orrin Keepnews:
recording Engineer: Jack Higgins. Cover design by Paul Bacon and photo by Paul Weller.
JLP-46 “Thelonious Monk with John Coltrane” Produced by Orrin Keepnews: recording Engineer: Jack Higgins
RLP12-284 “Saxophone Revolt: An Anthology of Outstanding Stylists”
‘All Alone’ (4:33) on RLP-3519
RLP-3519 “Great Jazz Artists Play Compositions of Irving Berlin”
THELONIOUS MONK GROUP (EAST COAST ALL-STARS)
Ray Copeland (tp) Gigi Gryce (as) John Coltrane (ts) Coleman Hawkins (ts) Thelonious Monk (p) Wilbur Ware (b) Art Blakey (drs)
Reeves Sound Studios, NYC; June 25, 1957
Crepuscule with Nellie (take 1) (4:32)
Crepuscule with Nellie (take 2) (4:34)
Crepuscule with Nellie (breakdown) (0:58)
Blues for Tomorrow (1) (13:30) RLP12-243 M-47011 SMJ-6128 OJC-030
NOTE: (1) Thelonious Monk (p) out
all 4 titles also on VIJ-5102/23, VDJ-25010/24CD
RLP12-243 “Blues for Tomorrow” Produced and notes by Orrin Keepnews; recording Engineer: Jack Higgins.
Cover design by Paul Bacon and photo from Rapho Guillumette Pictures.
RLP12-243 session name as “East Coast All-Stars”
RLP12-235
RLP12-284
JLP-46
RLP-3519
SMJ-9546/47
VIJ-5102/23
RICD-822-2
RLP12-243
VIJ-5102/23
RICD-822-2
THELONIOUS MONK GROUP
Ray Copeland (tp) Gigi Gryce (as) John Coltrane (ts) Coleman Hawkins (ts) Thelonious Monk (p) Wilbur Ware (b) Art Blakey (drs)
Reeves Sound Studios, NYC; June 26, 1957
Off Minor (take 4) (5:10) (A) JLP-46 REP-324 RLP(S9)-490 M-47011 M-47064
Off Minor (take 5) (5:06) RLP12-242 RLP-421 REP-324 RSLP-1102 M-47011
Ray Copeland (tp) Gigi Gryce (as) John Coltrane (ts) Coleman Hawkins (ts) ONLY
Reeves Sound Studios, NYC; June 26, 1957
Abide with Me (0:52) RLP12-242 RSLP-1102 M-47011
Ray Copeland (tp) Gigi Gryce (as) John Coltrane (ts) Coleman Hawkins (ts) Thelonious Monk (p) Wilbur Ware (b) Art Blakey (drs)
Reeves Sound Studios, NYC; June 26, 1957
Crepuscule with Nellie (take 4) (4:43) (A)
Crepuscule with Nellie (take 5) (A)
Crepuscule with Nellie (take 6) (4:37) RLP12-242 M-47011
Epistrophy (fragment) (3:07) JLP-46 REP-324 RLP(S9)-490 M-47011 M-47064 SMJ-9546
Epistrophy (10:45) RLP12-242 RSLP-1102 M-47011 M-47064
Well, You Needn’t (opening) (1:23)
Well, You Needn’t (10:24) RLP12-242 RSLP-1102 M-47011
oleman Hawkins (ts) Thelonious Monk (p) Wilbur Ware (b) Art Blakey (drs)
Reeves Sound Studios, NYC; June 26, 1957
Ruby My Dear (5:35) RLP12-242 RSLP-1102 RLP12-421 M-47015
NOTE: (A) take 4&5 edited re-tracks)
all 12 titles of this day’s session also on VIJ-5102/23, VDJ-25010/24CD, RCD2-30027-2CD
2 titles of JLP-46 also on SMJ-6149, VIJ-119, VDJ-1510CD, VICJ-23524CD, VICJ-5137CD, VICJ-2118CD,
VICJ-60334CD, VICJ-41075CD, UCCO-9073CD, UCCO-5053CD
6 titles of RLP12-242 also on RSLP-1102, SMJ-6207, VIJ-106, VDJ-1516CD, VIJJ-30012
RLP12-242 + (A) also on VICJ-2133CD, VICJ-23553CD, VICJ-5120CD, VICJ-60309CD, VICJ-41036CD,
VICJ-41226CD, UCCO-9030CD, UCCO-5027CD
RLP12-242 “Monk’s Music” Produced and notes written by Orrin Keepnews; recording Engineer: Jack Higgins
Cover design by Paul Bacon and photo by Paul Weller.
JLP-46 “Thelonious Monk with John Coltrane” produced by Orrin Keepnews and notes by Ira Gitler.
Recording Engineer: Jack Higgins. Cover design by Ken Deardoff and photo by Richard Jennings.
RLP12-242
JLP-46
VIJ-5102/23
RICD-822-2
THELONIOUS MONK QUARTET
John Coltrane (ts) Thelonious Monk (p) Wilbur Ware (b) Shadow Wilson (drs)
Reeves Sound Studios, NYC; July 1957
Ruby, My Dear (6:17) JLP(S9)-46 R421 REP-3217 M-47064 R/Vic3006(s)
Nutty (6:35) JLP(S9)-46 Rvs REP-3214 R/ABC3047 R/Vic3006(s)
Trinkle Tinkle (6:37) JLP(S9)-46 Rvs REP-3214 SMJ-9546
NOTE: all 3 titles also on RLP(S9)-490, M-47011,SMJ-6149, OJC-039, VIJ-5102/23, VDJ-25010/24CD, VICJ-23524CD,
VICJ-5137CD, VICJ-2118CD, VICJ-60334CD, VICJ-41075CD, UCCO-9073CD, UCCO-5053CD
JLP-46 “Thelonious Monk with John Coltrane” produced by Orrin Keepnews and notes by Ira Gitler.
Recording Engineer: Jack Higgins. Cover design by Ken Deardoff and photo by Richard Jennings.
JLP(S9)-46
VIJ-5102/23
RICD-822-2
GERRY MULLIGAN QUARTET
Gerry Mulligan (brs) Thelonious Monk (p) Wilbur Ware (b) Shadow Wilson (drs)
Reeves Sound Studios, NYC; August 12, 1957
Straight No Chaser (take1) (5:26) LWG-1232
Straight No Chaser (take3) (6:57) RLP12-247 RLP-3503 R/Vic3021(s)
Rhythm-A-Ning (5:16) - RLP12-284 R/Vic3037(s)
I Mean You (take1) (6:21) LEG-1232
I Mean You (take2) (6:29) -
I Mean You (take3) (6:54) - M-47064
Same person Plaza Sound Studios, NYC; August 13, 1957
‘Round Midnight (8:26) RLP12-247 RLP(S9)421 RLP(S9)-438 RLP-3522 REP-130
Decidedly (take4) (5:51) RSLP-1106
Decidedly (take5) (6:58) RLP12-247 LGW-1232
Sweet and Lovely (7:14) RLP12-247 R/Vic3037(s)
NOTE: ‘Rhythm-A-Ning’ (5:23) on RLP12-284
all titles also on M-47067 & VIJ-5102/23, VDJ-25010/24, VDJ-1643CD, VICJ-2135CD, VICJ-60473CD,
VICJ-41182CD, UCCO-9123CD, UCCO-5087CD
6 titles of RLP12-247 also on RSLP-1106 & SMJ-6107
RLP12-247 “Mulligan Meets Monk” Produced and notes by Orrin Keepnews.
Recording Engineer: Jack Higgins & Ray Fowler. Cover design by Paul Bacon.
RLP12-284 “Saxophone Revolt: An Anthology of Outstanding Stylists”
RLP-3503 “The Compositions of Thelonious Monk”
RLP-3522 “’Round Midnight” Outstanding version of the Great Jazz Classic.
LEG-1232 “Mulligan Meets Monk: alternate takes” reissued by Hiroshi Aono.
RLP12-247
RLP12-284
RLP-3503
RLP-3522
LEG-1232
VIJ-5102/23
RICD-822-2
THELONIOUS MONK SEXTET
Donald Byrd (tp) Johnny Griffin (ts) Pepper Adams (bs) Thelonious Monk (p) Wilbur Ware (b) Philly Joe Jones (drs)
Reeves Sound Studios, NYC; February 25, 1958
Coming on the Hudson (6:01) MLP-9124 VIJ-5102/23
NOTE: MLP-9124
produced by Orrin Keepnews; recording Engineer: Jack Higgins
JLP(S9)-46
VIJ-5102/23
RICD-822-2
CLARK TERRY QUARTET
Clark Terry (flh) Thelonious Monk (p) Sam Jones (b) Philly Joe Jones (drs)
Reeves Sound Studios, NYC; May 7 & 12, 1958
In Orbit (4:37) RLP12-271
One Foot in the Gutter (7:14) - M-47032
Trust in Me (4:30) -
Let’s Cool One (4:53) - RLP(S9)483 - M-47064
Pea - Eye (4:25) -
Argentina (6:08) - -
Moonlight Fiesta (2:33) -
Buck’s Business (3:20) -
Flueglin’ the Blues (6:57) RLP12-294 RSLP-1134 -
Very Near Blue (3:0 3) RLP12-271 M-47032
NOTE: 9 titles of RLP12-271 also on JLP-96 & SMJ-6167M
all titles also on VIJ-5102/23, VDJ-25019/24CD, VICJ-2165CD
RLP12-271 “Clark Terry: In Orbit” produced and notes by Orrin Keepnews; recorded by Jack Higgins.
Cover design by Paul Bacon; photo by Jack Manning.
RLP12-294 “New Blue Horns: Six Previously Unissued Versions of the Blues” (RSLP-1134 stereo)
RLP(S9)-483 “The Thelonious Monk Story”
JLP-96 “Clark Terry Quartet with Thelonious Monk”
RLP12-271
RLP12-294
RSLP-1134
RLP-483
JLP-96 (Orpheum)
VIJ-5102/23
RICD-822-2
THELONIOUS MONK QUARTET
Johnny Griffin (ts) Thelonious Monk (p) Ahmed Abdul-Malik (b) Roy Haynes (drs)
‘live’ at The Five Spot, NYC; July 9, 1958
Evidence (10:14) VICJ-2172CD
Blues Five Spot (9:54) M-9124 VICJ-23615CD
In Walked Bud (10:54) - -
Epistrophy (theme) - -
Unindentified Solo Piano (1) (1:53) - -
‘Round Midnight (6:15) - VICJ-2172CD
Bye-Ya (2) (11:52) -
Epistrophy (theme) (2)
NOTE: (1) T.Monk (p) solo
(2) Art Blakey (drs) replaces for R. Haynes.
all 8 titles are not issued on Riverside but VIJ-5102/23
VICJ-23615CD issues as VICJ-2176CD
VICJ-23587CD issues as VICJ-2172CD, VICJ-5087CD, VICJ-60353CD, VICJ-41038CD, VICJ-41228CD,
UCCO-9112CD, UCCO-5049CD
Produced by Orrin Keepnews.
M-9124
VIJ-5102/23
RICD-822-2
THELONIOUS MONK QUARTET
Johnny Griffin (ts) Thelonious Monk (p) Ahmed Abdul-Malik (b) Roy Haynes (drs)
recorded at Five Spot Cafe, NYC; August 7, 1958
Light Blue (5:15) RLP12-262 Rvs45-421
Coming on the Hudson (5:52) - -
Rhythm-A-Ning (9:26) -
Just A Gigolo (1) (2:09) (A) RLP12-279 R3037 M-47007 SMJ-9547
Blue Monk (8:32) RLP12-262 -
Evidence (8:50) -
Epistrophy (theme) (1:04) -
Nutty (5:52) RLP12-279 - M-47064
Blues Five Spot (8:17) (A) -
Let’s Cool One (9:16) -
In Walked Bud (11:29) (A) - R483/4 -
Misterioso (10:54) - SMJ-9546
Epistrophy (theme) (1:05) RLP12-262
NOTE: (1) T. Monk (p) solo
7 titles of RLP12-262 also on RSLP-1190 (stereo), M-47043 & SMJ-6102, VIJ-143, VDJ-1657CD, VICJ-23615CD,
VICJ-60491CD
RLP12-262 + (A) also on VICJ-2176CD, VICJ-60491CD, VICJ-41172CD
6 titles of RLP12-279 also on RSLP-1133, M-47043 & SMJ-6119, VIJ-127, VDJ-1619CD,VICJ-23587CD,
UCCO-9112CD, VICJ-5087CD, VICJ-2172CD, VICJ-60353CD, VICJ-41038CD, VICJ-41228CD, UCCO-9112CD, UCCO-5049CD
all titles also on VIJ-5102/23, VDJ-25010/24CD
RLP12-262 “Thelonious in Action” Produced and notes by Orrin Keepnews; recording Engineer: Ray Fowler.
Cover design by Paul Bacon and photo by Jack Manning.
RLP12-279 “Misterioso” Produced and notes by Orrin Keepnews; recording Engineer: Ray Fowler.
Cover design by Paul Bacon and painting by “The Seer,” by Giorgio De Chirico
RLP12-262
RLP12-279
VIJ-5102/23
RICD-822-2
THELONIOUS MONK ORCHESTRA
Donald Byrd (tp) Eddie Bert (tb) Phil Woods (as) Charlie Rouse (ts) Pepper Adams (brs) Robert Nothern (frh)
Jay McAllister (tu) Thelonious Monk (p) Sam Jones (b) Art Taylor (drs)
Recorded in concert Town Hall, NYC; February 28, 1959
Monk’s Mood (10:21) RLP12-300 ABC-3037 M-47033
Friday the 13th (9:23) - RLP-483/4 -
Little Rootie Tootie (8:53) - RLP-421 ABC-3047 - M-47064
Off Minor (7:50) - RLP-3503 -
Thelonious (3:02) (A) - MLP-9115 -
Crepuscule with Nellie (4:50) - -
Little Rootie Tootie (encore) (8:54) (A) VIJ-4032 -
Charlie Rouse (ts) Thelonious Monk (p) Sam Jones (b) Art Taylor (drs)
In Walked Bud (7:10) MLP-9115
Blue Monk (8:21) -
Rhythm-A-Ning (6:47) -
NOTE: (A) ‘Thelonious’ complete version (8:29), “Thelonious” (0:56) on RLP12-300
6 titles of RLP12-300 also on RSLP-1138 (stereo), SMJ-6183
RLP(S9)-300 + (A) also on VICJ-23616CD, VICJ-60511CD
4 titles of MLP-9115 also on SMJ-4036
MLP-9115 & SMJ-4036 “Evidence” cover designed by Yoshikazu Tanaka; photo by Jim Marshall.
all titles this session also on VIJ-5102/23
RLP12-300 “The Thelonious Monk Orchestra at Town Hall” Produced and notes by Orrin Keepnews.
Recording Engineer: Ray Fowler. Cover produced and designed by Paul Bacon – Ken Braren – Harris Lewine.
Cover photo by Melvin Sokolsky; back-liner photo by Lawrence N. Shstak.
RLP-3503 “The Compositions of Thelonious Monk”
RLP12-300
RLP-3503
VIJ-4036 (sampler)
VIJ-5102/23
RICD-822-2
THELONIOUS MONK QUINTET
Thad Jones (cnt) Charlie Rouse (ts) Thelonious Monk (p) Sam Jones (b) Art Taylor (drs)
Reeves Sound Studios, NYC; June 1, 1959
Played Twice (take 1) (6:56) M-9124
Played Twice (take 2) (7:54) M-47023 VIJ-4032
Played Twice (take 3) (8:00) RLP12-305
same person Reeves Sound Studios, NYC; June 2, 1959
Straight, No Chaser (9:21) RLP12-305 SMJ-9546
I Mean You (9:49) -
Ask Me Now (10:47) -
same person Reeves Sound Studios, NYC; June 4, 1959
Jackie – ing (6:07) RLP12-305 RLP(S9)-421 RLP-483/4 R/Vic3009 M-47064 SMJ-9546
NOTE: 5 titles of RLP(S9)-305 also on RSLP-1150 (stereo), SMJ-6086, M-47023,
All 7 titles also on VIJ-5102/23, VICJ-23617CD
RLP12-305 “5 by Monk by 5” Produced and notes by Orrin Keepnews.
Recording Engineer: Jack Higgins; mastered by Jack Matthews.
Cover produced by Paul Bacon – Ken Braren – Harris Lewine. Front & back-liner photo by Lawrence N. Shustak.
RLP(S9)-421 “Thelonious Monk Greatest Hits”
RLP483/4 “The Thelonious Monk Story”
RLP12-305
RLP-421
RLP-483/4
VIJ-5102/23
RICD-822-2
THELONIOUS MONK
Thelonious Monk (p)
San Francisco; October 21, 1959
Round Lights (3:33) RLP12-312 M-47004
Pannonica (3:48) - R(S9)-7 - SMJ-9547
Blue Monk (3:41) - RLP-483/4 Rvs45-434 Vic3009 M-47004 SMJ-9547
Ruby, My Dear (3:55) - M-47004 SMJ-9547 MSP-1
There’s Danger in Your Eyes, Cherie (take 1) (4:00) - VIJ-4032
There’s Danger in Your Eyes, Cherie (take 2) (4:17) -
Everything Happens to Me (5:35) - -
San Francisco; October 22, 1959
Reflections (5:03) RLP12-312
Remember (2:36) - Rvs45-434
Blue Hawk (3:37) -
You Took the Words Right Out of My Heart (3:58) -
NOTE: 10 titles of RLP12-312 also on RSLP-1158, M-47004, SMJ-6163, VIJ-120, VDJ-1549CD,
All 11 titles also on VIJ-5102/23, VICJ-23586CD, UCCO-9072CD, VICJ-2212CD, VICJ-60352CD, VICJ-41073CD,
UCCO-9072CD, UCCO-5059CD
RLP12-312 “Thelonious Alone in San Francisco” Produced and notes by Orrin Keepnews.
Recording Engineer: Reice Hamel; mastered by Jack Matthews.
Cover produced and designed by Paul Bacon – Ken Braren – Harris Lewine; cover & back-liner photos by William Claxton.
S(S9)-7 “The Soul of Jazz Piano”
VIJ-4032 “Thelonious Monk: ‘Round Midnight” reissued by Hiroshi Aono. Cover by K. Abe (front) & Lee Tanner (back)
RLP-483/4 “The Thelonious Monk Story”
SMJ-9547 “Farewell to Monk” reissued by Shoichi Yui; cover photo by Hozumi Nakadaira. (JVC)
RLP12-312
S(S9)-7
RLP-483/4
VIJ-4032
SMJ-9547
VIJ-5102/23
RICD-822-2
THELONIOUS MONK QUARTET PLUS TWO
Joe Gordon (tp) Charlie Rouse (ts) Harold Land (ts) Thelonious Monk (p) John Ore (b) Shelly Manne (drs)
Live at ‘The Black Hawk’, San Francisco; April 28, 1960
San Francisco Holiday (8:47) VIJ-5102/23
Just You, Just Me (7:07) -
same person Live at ‘The Black Hawk’, San Francisco; April 29, 1960
‘Round Midnight (7:51) VIJ-5102/23
Billy Higgins (drs) replaces for S. Manne
San Francisco Holiday (alt) (8:28) MLP-9115
I’m Getting Sentimental over You (6:07) RLP12-323 S-5 SE-2009 M-47033 M-47064 VICJ-23618
Evidence (7:07) MLP-9115
Epistrophy (theme) (0:59) - - -
Epistrophy (6:39) MLP-9115 -
Four in One (alt take) (7:33)
Let’s Call This (8:32) RLP12-323 - -
’Round Midnight (12:06) - SE-2007 - -
San Francisco Holiday (9:09) - -
Four in One (8:37) - - -
Epistrophy (theme) (alt take) (1:12)
NOTE: ‘San Francisco Holiday’ issues as ‘Worry Later’ on RLP12-323
‘Epistrophy (theme)’ (2:00) on RLP12-323
all 14 titles also on VIJ-5102/23
6 titles of RLP12-323 also on RSLP-1171, M-47033 & SMJ-6198
3 titles of MLP-9115 also on VIJ-4036
RLP12-323 “At the Blackhawk” Produced and notes by Orrin Keepnews;.
Recording Engineer: Ray Fowler & Reice Hamel; mastered by Jack Matthews.
Cover designed by Ken Deardoff and cover photo: no information.
S-5 “Riverside: The Soul of Jazz”
MLP-9115 & SMJ-4036 “Evidence” Produced and notes by Orrin Keepnews.
Cover design by Yoshikazu Tanaka; cover photo by Jim Marshall.
RLP12-323
S-5
VIJ-4036 (sampler)
VIJ-5102/23
RICD-822-2
SE-2007
SE-2009
THELONIOUS MONK QUARTET
Charlie Rouse (ts) Thelonious Monk (p) John Ore (b) Frankie Dunlop (drs)
‘live’ at Olympia, Paris; April 18, 1961
Well, You Needn’t (11:27) RLP(S9)-461 RLP(S9)-491 RLP-003 M-47060 VIJ-5071
Crepuscule with Nellie (2:39) MLP-9124
Jackie-Ing (10:08) RLP(S9)-460 RLP-004 - VIJ-5070
Body and Soul (2:47) MLP-9124
Off Minor (11:39) RLP(S9)-460 - RLP-003 - VIJ-5071
April in Paris (1:20) - RLP-004 - VIJ-5070
I Mean You (10:59) - - - - -
Rhythm-A-Ning (10:34) - - - VIJ-5071
Just A Gigolo (1) (1:41) RLP(S9)-461 - RLP-003 - VIJ-5070
Hackensack (9:45) - - - - VIJ-5071
Epistrophy (6:16) RLP(S9) -460 - - VIJ-5070
I’m Getting Sentimental over You (8:32) - - RLP-004 - -
Same person “Theatro Lirico”, Milan; April 21, 1961
Introduction and Jackie-Ing (4:50) RLP(S9)-443 RLP(S9)-461
Body and Soul (1) (4:48) - RLP(S9)-460
Straight No Chaser (8:59) - RLP(S9)-461
Crepuscule with Nellie (2:49) - -
Bemsha Swing (6:05) - -
San Francisco Holiday (5:57) - -
Rhythm-A-Ning (5:47) - -
Epistrophy (4:58) - -
NOTE: (1) T. Monk (p) solo
8 titles of RLP(S9)-443 also on , RLP-002, SMJ-6279, VICJ-23619CD
all titles also on VIJ-5102/23
RLP(S9)-443 “Thelonious Monk: Monk in Italy” produced by Orpheum Productions, Inc.
RLP(S9)-460/461 “Two Hours with Thelonious: European Concerts by Thelonious Monk”
RLP(S9)-491 “Theloniou Monk in France”
RLP-002 “Thelonious Monk in Europe, Vol. 1”
RLP-003 “Thelonious Monk in Europe, Vol. 2”
RLP-004 “Thelonious Monk in Europe, Vol. 3”
VIJ-5070/71 “Thelonious Monk: April in Paris”
Produced by Orrin Keepnews; recording Engineer: no information.
RLP-443 (Orpheum)
VIJ-5102/23
RLP-460/61
RLP-491
RICD-822-2
RLP-002
RLP-003
RLP-004
BILL EVANS BOX (CD BOX & discography on RIVERSIDE)
ILL EVANS COMPLETE RIVERSIDE RECORDINGS
BOX
notes
side 1
side 2
side 3
side 4
side 5
side 6
side 7
side 8
side 9
side 10
side 11
side 12
side 13
side 14
side 15
side 16
side 17
side 18
side 19
side 20
side 21
side 22
side 23
side 24
side 25
side 26
side 27
side 28
side 29
side 30
side 31
side 32
side 33
side 34
side 35
side 36
CD BOX
BOX back
CD notes
CDs
Village Vanguard CD box
BILL EVANS
Bill Evans (p) Reeves Sound Studios
NYC; September 18, 1956
I’ve Got It Bad and That Ain’t Good (1:36) RLP12-223 REP-118
Waltz for Debby (1:16) - -
My Romance (1:54) -
NOTE: all 3 titles of RLP12-223 also on SMJ-6073M, M-47063, VIJ-140, OJC-025, VICJ-23584CD, VIJ-5072/89, VICJ-23063, VDJ-1641CD, VICJ-5164CD,
VICJ-40089/40100CD, VICJ-2081CD, VICJ-60350CD, VICJ-41061CD, UCCO-9063CD, UCCO-5044CD
RLP12-223 “New Jazz Conceptions” Produced by Orrin Keepnews and Bill Grauer, recording Engineer: Jack Higgins.
Notes by Orrin Keepnews. Cover design by Fran Scott and photo by Hank Parker.
RLP12-223
VIJ-5072/89
VICJ-60951/3
BILL EVANS TRIO
Bill Evans (p) Teddy Kotick (b) Pau Motian (drs)
Reeves Sound Studios, NYC; September 27, 1956
I Love You (3:52) RLP12-223 RLP12-272 REP-118
Five (4:01) -
Conception (4:43) -
Easy Living (3:49) -
Displacement (2:33) -
Speak Low (5:06) - -
Our Delight (4:42) - RLP-3511
No Cover, No Minimum (take1) (8:08) (A) VIJ-6365 VICJ-23063CD
No Cover, No Minimum (take2) (7:30) -
NOTE: all titles of RLP12-223 also on SMJ-6073M, VIJ-140 & OJC-025
RLP12-223 + (A) also on M-47063, VIJ-5072/89, VICJ-23584CD, VDJ-1641CD, VICJ-5164CD, VICJ-40089/40100CD,
VICJ-2081CD, VICJ-60350CD, VICJ-41061CD, UCCO-9063CD, UCCO-5044CD
RLP12-223 “New Jazz Conceptions” Produced by Orrin Keepnews and Bill Grauer, recording Engineer: Jack Higgins
Notes by Orrin Keepnews. cover design by Fran Scott and photo by Hank Parker.
RLP12-272 “Eight Ways to Jazz: The Music of Cole Porter”
RLP-3511 “The Compositions of Tadd Dameron”.
VIJ-6365 titles as “Bill Evans/ Easy to Love” cover designed & photo by K. Abe.
RLP12-223
RLP12-272
RLP-3511
V0IJ-6365
VIJ-5027/89
DIDX-3045/56
BILL EVANS TRIO
Bill Evans (p) Sam Jones (b) Philly Joe Jones (drs)
Reeves Sound Studios, NYC; December 15, 1958
Minority (5:20) RLP12-291 REP-3215
Young and Foolish (5:48) -
Night and Day (7:12) - RM(S)-3515
Oleo (4:04) -
Tenderly (3:29) -
What Is There to Say? (4:49) -
Peace Piece (1) (6:37) - R(S9)-7 R/ABC3042 VICJ-23063
Lucky to Be Me (1) (3:35) - -
Some Other Time (1) (6:13) M-47063 VIJ-6365 VICJ-23063CD -
Epilogue (1) (0:38) RLP12-291 -
NOTE: (1) B. Evans (p) solos
‘Epilogue’ issues on both sides on RLP12-291
9 titles of RLP12-291 also on RSLP-1129 (stereo), M-47024, OJC-068, SMJ-6090 & VIJ-126, VDJ-1517CD
all 10 titles of this session also on VIJ-5072/89, VICJ-23582CD, VICJ-5136CD, VICJ-2195CD, VICJ-60331CD,
VICJ-41062CD, UCCO-9065CD, UCCO-5041CD
RLP12-291 “Everybody Digs Bill Evans” Produced and notes by Orrin Keepnews; recording Engineer: Jack Higgins.
Cover produced and design by Paul Bacon – Ken Braren – Harris Lewine. Back-liner photo by Lawrence N. Shustak.
S(S9)-7 “The Soul of Jazz Piano”
VIJ-6365 “Bill Evans: Easy to Love” cover by K. Abe
RLP12-291
S(S9)-7
RM(S)-3515
VIJ-6365
REP-3215
VIJ-5072/89
DIDX-3045/56
BILL EVANS TRIO
Bill Evans (p) Paul Chambers (b) Philly Joe Jones (drs)
Reeves Sound Studios, NYC; January 19, 1959
You and the Night and the Music (7:20) M-47024
How Am I to Know? (6:18) -
Woody’n You (take1) (4:52) -
Woody’n You (take2) (4:10) -
My Heart Stood Still (5:21) -
Green Dolphin Street (8:09) -
NOTE: all titles also on SMJ-6247, VIJ-6457, VDJ-1576CD, VIJ-5072/89, VICJ-23066CD, VICJ-5162CD, VICJ-2200CD,
VICJ-60372CD, VICJ-60349CD, VICJ-61062CD, VICJ-41016CD, VICJ-41206CD, UCCO-5099CD
M-47024 “Peace Piece and Other Pieces”
SMJ-6247 “Bill Evans with Philly Joe Jones: Green Dolphin Street” Cover designed and photo by K. Abe
Produced by Orrin Keepnews; recording Engineer: Jack Higgins
M-47024
SMJ-6247
VIJ-5027/89
DIDX-3045/56
BILL EVANS TRIO
Bill Evans (p) Scott LaFaro (b) Paul Motian (drs)
Reeves Sound Studios, NYC; December 28, 1959
Peri’s Scope (3:11) RLP12-315 Rvs45-435 R(S9)-5
Witchcraft (4:30) -
Spring Is Here (5:01) -
What Is This Thing Called Love? (4:33) - -
Blue in Green (take2) (1) (4:24)
Come Rain or Come Shine (3:17) - R(S9)3518 P-24052
Autumn Leaves (mono) (5:22) -
Blue in Green (take3) (5:18) - R(S9)3504
Autumn Leaves (stereo) (5:56) RSLP-1162 VIJ-6359
Some Day My Prince Will Come (4:48) RLP12-315 -
When I Fall in Love (4:50) -
NOTE: all titles of RLP12-315 also on RSLP-1126 (stereo) except (mono)
all titles of RSLP-1126 also on OJC-088
all titles except (1) also on M-47034, SMJ-6144 & VIJ-101, VDJ-1506CD, DIW-9007
all 11 titles of this session also on VIJ-5072/89, VICJ-40089/40100, VICJ-23516CD, VICJ-5074CD, VICJ-2215CD,
VICJ-60139CD, VICJ-60291CD, VICJ-61058CD, VICJ-41012CD, UCCO-9002CD, UCCO-5003CD
P-24052 Prestige LP titled as “Piano Giants”
RLP12-315 “Portrait in Jazz” Produced and notes by Orrin Keepnews.
Recording Engineer: Jack Higgins & mastered by Jack Matthews.
Cover designed and produced by Paul Bacon – Ken Braren – Harris Lewine.
Photo by Melvin Sokolsky; back-liner photo by Lawrence N. Shustak.
S-5 “Riverside: The Soul of Jazz”
R(S9)-3504 “The Compositions of Milles Davis”
R(S9)-3518 “The Great Artists Play Harold Arlen”
VIJ-6359 “Memories of Bill Evans” reissue direction by Hiroshi Aono. cover design by Hajime Mizuno.
Cover photo by Donald Silverstein; back-liner photo by Steve Schapiro.
RLP12-315
S-5
R(S9)-3504
R(S9)-3518
VIJ-6359 (sampler)
VIJ-5072/89
DIDX-3045/56
CANNONBALL ADDERLEY QUARTET
Cannonball Adderley (as) Bill Evans (p) Percy Heath (b) Connie Kay (drs)
Bell Sound Studios, NYC; January 27, 1961
Who Cares? (take4) (5:52)
Who Cares? (take5) (5:53) RLP(S9)-433 M-47053
Goodbye (6:12) - -
Nancy (With the Laughing Face) (4:04) - R/ABC-3038 -
Know What I Mean? (take12) (7:01) VIJ-4030 -
NOTE: 3 titles of RLP(S9)-433 also on SMJ-6051, OJC-105, VIJ-111, VDJ-1518CD
all 5 titles also on VIJ-5072/89, VICJ-40089/40100, VICJ-23520CD, OJCCD-105-2, UCCO-9068, VICJ-5105CD,
VICJ-60002CD, VICJ-60243CD, VICJ-60330CD, VICJ-61066CD, VICJ-41060CD, VICJ-41250CD, UCCO-9068CD, UCCO-5040CD
RLP(S9)-433 “Cannonball Adderley with Bill Evans: Know What I Mean?”
Produced by Orrin Keepnews; recording Engineer: Bill Stoddard
RLP-433
VIJ-5072/89
DIDX-3045/56
BILL EVANS TRIO
Bill Evans (p) Scott LaFaro (b) Paul Motian (drs)
Bell Sound Studios, NYC; February 2, 1961
Elsa (5:05) RLP(S9)-351 Rvs45-462 M-47034
Sweet and Lovely (5:50) - -
Beautiful Love (take1) (6:03)
Beautiful Love (take2) (5:03) - -
I Wish I Knew (4:39) - -
The Boy Next Door (5:06) VIJ-6359 -
Haunted Heart (3:25) - -
Nardis (5:48) - VIJ-6359 -
How Deep Is the Ocean? (3:30) - R(S9)-3519 Rvs45-462 -
Israel (6:08) - VIJ-6359 -
NOTE: 8 titles of RLP(S9)-351 also on SMJ-6038, VIJ-102, OJC-037, VDJ-1527CD
all 10 titles also on VIJ-5072/89 & VICJ-23518CD, VICJ-5103CD, VICJ-6003CD, VICJ-60140CD, VICJ-60294CD,
VICJ-61059CD, VICJ-41014CD, VICJ-41204CD, UCCO-9009CD, UCCO-5011CD
RLP(S9)-351 “Bill Evans Trio: Explorations” Produced and notes by Orrin Keepnews.
Recording Engineer: Bill Stoddard & mastered by Jack Matthews.
Cover designed by Ken Deardoff; photo by Mike Cuesta and back-liner photo by Steve Schapiro.
R(S9)-3519 “Great Artists Play Irving Berlin”
VIJ-6359 “Memories of Bill Evans”
RLP-351
R(S9)-3519
VIJ-6359
VIJ-5027/89
DIDX-3045/56
CANNONBALL ADDERLEY QUARTET
Cannonball Adderley (as) Bill Evans (p) Percy Heath (b) Connie Kay (drs)
Bell Sound Studios, NYC; February 21, 1961
Toy (5:06) RLP(S9)-433
Elsa (5:48) -
NOTE: both titles also on M-47053, SMJ-6051, OJC-105, OJCCD-105-2, VIJ-111, VDJ-1518CD, VIJ-5072/89,
VICJ-40089/40100, VICJ-23520CD, VICJ-60002CD, VICJ-60243CD, VICJ-60330CD, VICJ-61066CD, VICJ-41060CD, VICJ-41250CD, UCCO-9068CD, UCCO-5040CD
RLP(S9)-433 “Cannonball Adderley with Bill Evans: Know What I Mean?”
Produced by Orrin Keepnews; recording Engineer: Bill Stoddard.
Cover designed by Ken Deardoff and photo by Mile Cuesta; sculpture: Bertha Schaefer Gallery.
Back-liner photo by Steve Shapiro.
RLP-433
VIJ-5072/89
DIDX-3045/56
CANNONBALL ADDERLEY QUARTET
Cannonball Adderley (as) Bill Evans (p) Percy Heath (b) Connie Kay (drs)
Bell Sound Studios, NYC; March 13, 1961
Waltz for Debby (5:07) RLP(S)-433
Venice (2:52) -
Know What I Mean? (take7) (4:52) - Rvs-9433
NOTE: 3 titles of RLP(S9)-433 also on M-47053, SMJ-6051, OJC-105, VIJ-111, VIJ-5072/89, VDJ-1518CD, VIJ-5072/89
VICJ-40089/40100, VICJ-23520CD, OJCCD-105-2, VICJ-5105CD, VICJ-60002CD, VICJ-60243CD, VICJ-60330CD,
VICJ-61066CD, VICJ-41060CD, VICJ-41250CD, UCCO-9068CD, UCCO-5040CD
Rvs-9433 is a 7” LP
RLP(S9)-433 “Cannonball Adderley with Bill Evans: Know What I Mean?”
Produced by Orrin Keepnews; recording Engineer: Bill Stoddard.
Cover designed by Ken Deardoff and photo by Mile Cuesta; sculpture: Bertha Schaefer Gallery.
Back-liner photo by Steve Shapiro.
RLP-433
VIJ-5072/89
DIDX-3045/56
BILL EVANS TRIO
Bill Evans (p) Scott LaFaro (b) Paul Motian (drs)
live at The Village Vanguard, NYC; June 25, 1961
Alice in Wonderland (take1) (6:59) (A) MLP-9125
My Foolish Heart (4:56) RLP(S9)-399 VIJ-6359 M-47002 MSP-1
All of You (take1) (8:16) (A)
My Romance (take1) (7:11) - -
Some Other Time (5:02) - -
Solar (8:51) RLP(S9)-376 -
Gloria’s Step (take2) (6:05) - VIJ-6359 - *9248-3
My Man’s Gone Now (6:21) - R(S9)3517 -
All of You (take2) (8:20) - -
Detour Ahead (take1) (7:13) (B) MLP-9125
Waltz for Debby (take1) (6:46) (B) VIJ-6359 -
Alice in Wonderland (take2) (8:32) RLP(S9)-376 -
Porgy (5:57) (B) VIJ-6539 -
My Romance (take2) (7:12) (B) - -
Milestones (6:37) RLP(S9)-399 -
Detour Ahead (take2) (7:35) - -
Gloria’s Step (take3) (6:54) (A) -
Waltz for Debby (take2) (6:54) RLP(S9)-399 -
All of You (take3) (8:04) (A) -
Jade Visions (take1) (4:13) (A) -
Jade Visions (take2) (3:46) RLP(S9)-376 - MSP-1
NOTE: all titles also on VIJ-5072/89, VICJ-40089/40100, VICJ-23517CD & VICJ-23551CD, VICJ-60951/3
6 titles of RLP(S9)-376 also on R/ABC3006, SMJ-6201, VIJ-114, OJC-140, VDJ-1519CD, DIW-9008,
RLP(S9)-376 + (A) also on VICJ-5102CD, VICJ-6007CD, VICJ-60293CD, VICJ-61061CD, VICJ-41013CD,
VICJ-41203CD, UCCO-9008CD, UCCO-5006CD
RLP(S9)-376 “Bill Evans Trio: Sunday at the Village Vanguard” Notes by Ira Gitler & Orrin Keepnews.
Cover designed by Ken Deardoff and photo by Donal Silverstein; back-liner photo by Steve Schapiro.
6 titles of RLP(S9)-399 also on SMJ-6118, VIJ-113, VDJ-1536CD & VIJJ-30011, DIW-9011
RLP(S9)-399 + (B) also on VICJ-5084CD, VICJ-6008CD, VICJ-60141CD, VICJ-60292CD, VICJ-61060CD,
VICJ-41011CD, VICJ-41201CD, UCCO-9003CD, UCCO-5001
RLP(S9)-399 “Bill Evans Trio: Waltz for Debby” Notes by Joe Goldberg.
Cover designed by Ken Deardoff and photo: no information; back-liner photo by Donald Silverstein.
7 titles of MLP-9125 also on VIJ-4048; “Waltz for Debby”
R(S9)-3517 “Great Artists Play George Gershwin”
VIJ-6539 “MEMORIES OF BILL EVANS”
*9248-3 Impulse 9284-3 untitled “The Bass”
Produced by Orrin Keepnews; recording Engineer: Dave Jones & mastered at Plaza Sound Studios.
RLP-376
RLP-399
VIJ-6539 (sampler)
VIJ-5072/89
VICJ-600951/53
VICJ-60951/3
TADD DAMERON ORCHESTRA
Joe Wilder (tp) Clark Terry (tp) Ernie Royal (tp) Jimmy Cleveland (tb) Britt Woodman (tb) Julius Watkins (frh)
Leo Wright (as, fl) Jerry Dodgion (as, fl) Jerome Richardson (ts, fl) Johnny Griffin (ts) Tate Houston (brs)
Bill Evans (p) George Duvivier (b) Philly Joe Jones (drs) Tadd Dameron (arr)
Plaza Sound Studios, NYC; February 27, 1962
Our Delight (alt. take) (2:38) VICJ-60700CD
Our Delight (2:46) RLP(S9)-419
Dial B for Beauty (2:57) -
Bevan’s Birthday (3:29) -
NOTE: 3 titles of RLP(S9)-419 also on SMJ-6288, VIJ-5072/89
RLP(S9)-419 “The Magic Touch” Produced by Orrin Keepnews and notes by Joe Goldberg.
Recording Engineer: Ray Fowler and mastered at Plaza Sound Studios.
Cover designed by Ken Deardoff and photo by Mike Cuesta; back-liner photos by Steve Schapiro.
RLP-419
VIJ-5072/89
DIDX-3045/56
TADD DAMERON ORCHESTRA
Charlie Shavers(tp) Clark Terry (tp) Ernie Royal (tp) Jimmy Cleveland (tb) Britt Woodman (tb) Julius Watkins (frh) Leo Wright (as, fl) Jerry Dodgion (as, fl) Jerome Richardson (ts, fl) Johnny Griffin (ts) Tate Houston (brs)
Bill Evans (p) Ron Carter (b) Philly Joe Jones (drs) Tadd Dameron (arr)
Plaza Sound Studios, NYC; March 9, 1962
On A Misty Night (2:45) RLP(S9)-419 Rvs45-474
On A Misty Night (alt. take) (2:43) VICJ-60700CD
Swift as the Wind (3:10) RLP(S9)-419 -
Fontainebleau (4:09) - RLP-3511
NOTE: ‘On A Misty Night’ (2:57) on VICJ-60700CD
3 titles of RLP(S9)-419 also on SMJ-6288, VIJ-5072/89
RLP(S9)-419 “The Magic Touch” Produced by Orrin Keepnews and notes by Joe Goldberg.
Recording Engineer: Ray Fowler and mastered at Plaza Sound Studios.
Cover designed by Ken Deardoff and photo by Mike Cuesta; back-liner photos by Steve Schapiro.
RLP-3511 “The Compositions of Tadd Dameron”
RLP-419
VIJ-5072/89
DIDX-3045/56
BILL EVANS TRIO
Bill Evans (p) Teddy Kotick (b) Paul Motian (drs)
Plaza Sound Studios, NYC; April 10, 1962
Danny Boy (10:37) M-47063
Like Someone in Love (6:52) -
In Your Own Sweet Way (2:54) -
Easy to Love (4:40) -
NOTE: all titles also on VIJ-6252, VIJ-5072/89, VICJ-23063CD
VIJ-6365 “Bill Evans: Easy to Love”
Produced by Orrin Keepnews; recording Engineer: Jack Higgins & Ray Fowler. Cover by K. Abe.
VIJ-6365 (sampler)
VIJ-5072/89
DIDX-3045/56
TADD DAMERON ORCHESTRA
Clark Terry (tp) Jimmy Cleveland (tb) Jerry Dodgion (as, fl) Jerome Richardson (ts, fl) Johnny Griffin (ts)
Tate Houston (brs) Bill Evans (p) Ron Carter (b) Philly Joe Jones (drs) Tadd Dameron (arr) Barbara Winfield (vcl-1)
Plaza Sound Studios, NYC; April 16, 1962
Just Plain Talkin’ (alt. take) (4:32) VICJ-60700CD
Just Plain Talkin’ (4:51) RLP(S9)-419 -
If You Could See Me Now (1) (3:15) - -
Look, Stop and Listen (3:54) - -
You’re A Joy (1) (3:41) - -
NOTE: 4 titles of RLP(S9)-419 also on SMJ-6288 & all titles on VIJ-5072/89, VICJ-60700CD
RLP(S9)-419 “The Magic Touch” Produced by Orrin Keepnews and notes by Joe Goldberg.
Recording Engineer: Ray Fowler and mastered at Plaza Sound Studios.
Cover designed by Ken Deardoff and photo by Mike Cuesta; back-liner photos by Steve Schapiro.
RLP-419
VIJ-5072/89
DIDX-3045/56
BILL EVANS TRIO
Bill Evans (p) Chuck Israels (b) Paul Motian (drs)
Sound Makers, Inc. NYC; May 17, 1962
How My Heart Sings (4:57) RM(S9)-473
Summertime (5:58) - RM(S)-3517
If You Could See Me Now (4:28) RLP(S9)-428
same person Sound Makers, Inc. NYC; May 29, 1962
Walking Up (4:54) RM(S9)-473
Very Early (5:04) RLP(S9)-428 R/ABC3042
Show-Type Tune (4:22) - -
Re: Person I Knew (5:43) - -
34 Kidoo (6:20) -
NOTE: all titles also on M-47046 & VIJ-5072/89, VICJ-40089/40100
RLP(S9)-428 same as R/ABC3001, SMJ-6175, SMJ-6320, VIJ-130 & VICJ-23552CD, VDJ-1617CD, VICJ-5135CD,
VICJ-60026CD, VICJ-60214CD, VICJ-60307CD, VICJ-61063CD, VICJ-41015CD, VICJ-41205CD, UCCO-9067CD, UCCO-5031CD
RLP(S9)-428 “Moonbeams” notes by Joe Goldberg. Cover designed by Ken Deardoff & photo: no information.
Back-liner photo by Steve Scahpiro.
RM(S9)-473 same as SMJ-6218 & VICJ-23583CD, VDJ-1618CD, VICJ-5163CD, VICJ-60027CD, VICJ-60308CD,
VICJ-60373CD, VICJ-61064CD, VICJ-41063CD, UCCO-9066CD, UCCO-5037CD
RM(S9)-473 “How My Heart Sings” notes by Bill Evans & Orrin Keepnews cover designed by Ken Deardoff;
photo: no information.
RM(S)-3517 “The Great Artists Play George Gershwin”
Produced by Orrin Keepnews; recording Engineer: Bill Schawartau (Sound Makers, Inc.)
RLP-428
RM-473
RLP-3517
VIJ-5027/89
DIDX-3045/56
BILL EVANS TRIO
Bill Evans (p) Chuck Israels (b) Paul Motian (drs)
Sound Makers Inc. Studios, NYC; June 5, 1962
Polka Dots and Moonbeams (4:57) RLP(S9)-428 M-47046
I should Care (4:54) RM(S9)-473 -
I Fall in Love Too Easily (2:39) - -
Ev’rything I Love (4:12) - -
In Love in Vain (4:56) - R(S9)3516 -
Stairway to the Stars (4:48) - -
In Your Own Sweet Way (take1) (6:56) - -
In Your Own Sweet Way (take2) (5:52) (A)
It Might As Well Be Spring (6:03) - R(S9)-3514 -
NOTE: all 9 titles also on VIJ-5072/89, VICJ-40089/40100
RLP(S9)-428 same as R/ABC3001, SMJ-6175, SMJ-6320, VIJ-130 & VICJ-23552CD, VDJ-1617CD, VICJ-5135CD, VICJ-60026CD,
VICJ-60214CD, VICJ-60307CD, VICJ-61063CD, VICJ-41015CD, VICJ-41205CD, UCCO-9067CD, UCCO-5031CD
RLP(S9)-428 “Moonbeams” notes by Joe Goldberg. Cover designed by Ken Deardoff & photo: no information.
Back-liner photo by Steve Schapiro.
RM(S9)-473 same as SMJ-6218, VDJ-1618CD
RM(S9)-473 + (A) also on VIJ-5072/89, VICJ-23583CD, VICJ-5163CD, VICJ-60027CD, VICJ-60308CD, VICJ-60373CD,
VICJ-61064CD, VICJ-41063CD, UCCO-9066CD, UCCO-5037CD
RM(S9)-473 “How My Heart Sings” notes by Bill Evans & Orrin Keepnews cover designed by Ken Deardoff;
photo: no information.
Produced by Orrin Keepnews; recording Engineer: Bill Schawartau (Sound Makers, Inc.)
RLP-3514 “Great Jazz Artists Play Compositions of Richard Rodgers”
RLP-3516 “Great Jazz Artists Play Compositions of Jerome Kern”
RLP-428
RM-473
RLP-3514
RLP-3516
VIJ-5027/89
DIDX-3045/56
BILL EVANS QUINTET
Freddie Hubbard (tp) Jim Hall (g) Bill Evans (p) Percy Heath (b) Philly Joe Jones (drs)
Nola Penthouse Studios, NYC; July 16, 1962
Wrap Your Troubles in Dreams (6:42) RLP(S9)-445
When You Wish Upon A Star (5:42) -
You Go to My Head (5:02) -
same person Nola Penthouse Studios, NYC; July 17,1962
You and the Night and the Music (7:03) RLP(S9)-445
Interplay (8:11) -
I’ll Never Smile Again (take6) (6:35)
I’ll Never Smile Again (take7) (6:30) -
NOTE: 6 titles of RLP(S9)-445 also on M-47066, SMJ-6150 & VIJ-115, VDJ-1546CD
all 7 titles also on VIJ-5072/89 & VICJ-23519CD, VICJ-5104CD, VICJ-60029CD, VICJ-60172CD, VICJ-60306CD,
VICJ-61065CD, VICJ-41017CD, VICJ-41207CD, UCCO-9027CD, UCCO-5023CD
RLP(S9)-445 “Interplay” Produced by Orrin Keepnews and notes by Joe Goldberg. Recording Engineer: Tom Nola.
Cover designed and art by Ken Deardoff; back-liner photos by Steve Schapiro.
R LP(S9)-445
VIJ-5072/89
DIDX-3045/56
BILL EVANS QUINTET
Zoot Sims (ts) Jim Hall (g) Bill Evans (p) Ron Carter (b) Philly Joe Jones (drs)
NYC; August 21, 1962
Loose Bloose (take3) (5:32) M-47024 SMJ-6247 VIJ-6457 VDJ-1576CD VICJ-5162CD VICJ-2200CD VICJ-60372CD
VICJ-60349CD VICJ-61062CD UCCO-5099CD VICJ-41016CD VICJ-14206CD
Loose Bloose (take2/4) (7:05) M-47066
Fudgesickle Built for Four (4:29) -
Time Remembered (6:02) -
Funkallero (6:13) -
NYC; August 22, 1962
My Bells (5:22) M-47066
There Came You (5:50) -
Fun Ride (5:15) -
NOTE: all titles also on VIJ-4026 (except Loose Bloose – take 3), VIJ-5072/89, VICJ-40089/40100, VICJ-23068CD,
SMJ-6247 “Bill Evans with Philly Joe Jones: Green Dolphin Street” also VIJ-6457
VIJ-4026 “Bill Evans / Unknown Session” Produced by Orrin Keepnews and recorded by Tommy Nola
SMJ-6247
VIJ-4026 (sampler)
VIJ-5027/89
DIDX-3045/56
BILL EVANS
Bill Evans (p) solos
NYC; January 10, 1963
What Kind Fool Am I? (take1) (6:13) VIJ-5072/89 VICJ-23064CD
Medley: (12:37) - -
My Favorite Things
Easy to Love
Baubles, Bangles And Beads
When I Fall in Love (3:01) - -
Medley: (8:37) - -
“Spartacus” Love Theme
Nardis
Everything Happens to Me (5:41) - -
April in Paris (5:51) - -
All the Things You Are (9:07) - VICJ-23065CD
Santa Claus Is Coming to Town (4:29) - -
I Love You, Porgy (5:49) - -
What Kind of Fool Am I? (take2) (6:48) - -
Love Is Here to Stay (3:59) - -
Ornithology (5:30) - -
Medley: (6:20) - -
Autumn in New York
How About You
NOTE: all titles also on VIJ-5072/89 produced by Orrin Keepnews.
VICJ-23064 “Bill Evans Solo Sessions Vol. 1: When I Fall in Love”
VICJ-23065 “Bill Evans Solo Sessions Vol. 2: I Love You Porgy”
VIJ-5027/89
DIDX-3045/56
BILL EVANS TRIO
Bill Evans (p) Chuck Israels (b) Larry Bunker (drs)
‘live’ at “Shelly’s Manne-Hall”, L.A; May 30, 1963
All the Things You Are (8:48) (A)
Lover Man (5:05) M-47068 VIJ-4035 VICJ-23067CD
Love Is Here to Stay (4:41) RM(S9)-487 -
‘Round Midnight (8:50) - -
Stella by Starlight (4:50) - -
Who Cares? (5:22) - - -
The Boy Next Door (5:14) - -
Isn’t It Romantic? (4:34) - -
Blues in F / Five (5:05) - -
What Is This Thing Called Love? (5:48) - - -
How About You? (4:04) - - -
‘live’ at “Shelly’s Manne-Hall”, L.A; May 31, 1963
Everything Happens to Me (4:39) VICJ-4035 VICJ-23067CD
In A Sentimental Mood (4:23) - -
My Heart Stood Still (4:33) - -
Time Remembered (5:37) - -
Wonder Why (5:08) RM(S9)-487
Swedish Pastry (5:36) -
NOTE: 8 titles of RLP(S9)-487 also on R/ABC3013, SMJ-6197, SMJ-6315, VDJ-1655CD,
RLP(S9)-487 + (A) also on VICJ-23585CD, VICJ-60036CD, VICJ-60471CD, VICJ-41064CD, UCCO-9046CD,
UCCO-5048CD
all 17 titles also on M-47068 & VIJ-5072/89
RM(S9)-487 “Bill Evans at Shelly’s Manne-Hole”
M-47068, VIJ-4035 “Bill Evans: Time Remembered”
Produced by Orrin Keepnews; recording Engineer: Wally Heider
RM(S9)-487 (sampler)
VIJ-4035 (sampler)
VIJ-5027/89
DIDX-3045/56
WES MONTGOMERY LP,CD BOX & discography on RIVERSIDE
THE GENIUS OF WES MONTGOMERY (3LP set ABC)
this box set includes “Full House”, “Groove Yard” and “The Incredible Guitar of Wes Montgomery”
front
book
inside
side 1
side 2
side 3
side 4
side 5
side 6
RLP-434
RLP-362
RLP-320
side 1& 2 (109 561): Full House (RLP-434)
A)1. Full House (9:14)
2. I’ve Grown Accustomed to Her Face (3:18)
3. Blue “N” Boogie (9:31)
B)1. Cariba (9:35)
2. Come Rain or Come Shine (6:49)
3. S. O. S. (4:57)
Side 3 & 4 (109 562): Groove Yard (RLP-362)
A)1. Back to Back (6:39)
2. Groove Yard (2:58)
3. If I Should Lose You (3:37)
4. Delirum (3:37)
B)1. Just for Now (4:45)
2. Doujie (4:34)
3. Heart Strings (4:31)
4. Remember (5:34)
Side 5 & 6 (109 563): The Incredible of Wes Montgomery (RLP-320)
A)1. Airgin (4:24)
2. D-Natural Blues (5:18)
3. Polka Dots and Moonbeams (4:38)
4. Four on Six (6:10)
B)1. Wes Coast Blues (7:20
2. In Your Own Sweet Way (4:45)
3. Mister Walker (4:28)
4. Gone with the Wind (6:13)
NOTE: original produced by Orrin Keepnews
Photos by Jean-Pierre Leloir and design by Bernard Wetz.
Notes by Alum Morgan, Alexis Korner & Charles Fox
Distributed by ABC Records, manufactured by Gramophon (Germany)
WES MONTGOMERY THE COMPLETE RIVERSIDE RECORDINGS (CD)
front
side
note
CD 1
CD 2
CD 3
CD 4
CD 5
CD 6
CD 7
CD 8
CD 9
CD 10
CD 11
CD 12
WES MONTGOMERY TRIO
Melvin Rhyne (org) Wes Montgomery (g) Paul Parker (drs)
Reeves Sound Studios, NYC; October 5, 1959
Round Midnight (4:49) RLP12-310 RLP-3503 RLP-3522 Rvs45-431 M-47030
Satin Doll (take 5) (4:06)
Satin Doll (take 7) (3:53) RLP12-310 RLP-3507 M-47057 RIVM-001
Missile Blues (take 5) (4:43)
Missile Blues (take 6) (5:57) - R(S9)494 -
same person Reeves Sound Studios, NYC; October 6, 1959
Jingles (5:29) RLP12-310 M-47057
Whisper Not (4:32) - M-47030
The End of Love Affair (3:15) - -
Too Late Now (4:48) - -
Ecorah (2:59) - RLP(S9)-3509 -
Yesterdays (3:13) - Rvs45-431 RLP(S9)3516 M-47057
NOTE: 9 titles of RLP12-310 also on RSLP-1156 (stereo), M-47057, SMJ-6080, VIJ-144, OJC-034 & VICJ-40060
All 11 titles also on VICJ-40060/71CD, VICJ-2209CD, VICJ-60475CD, VICJ-41165CD, UCCO-9114CD, UCCO-5082CD
RLP12-310 titled as “A Dynamic New Jazz Sound” Produced and notes by Orrin Keepnews.
Recording Engineer: Jack Higgins & mastered by Jack Matthews.
Cover produced and designed by Paul Bacon – Ken Braren – Harris Lewine.
Cover art by Jules Maidoff; back-liner photo by Lawrence N. Shustak.
RLP(S9)-3503 “The Compositions of Thelonious Monk”
RLP(S9)-3507 “The Compositions of Duke Ellington, Vol. 1”
RLP(S9)-3509 “The Compositions of Horace Silver”
RLP(S9)-3516 “Great Artists Play Jerome Kern”
RLP(S9)-3522 “’Round Midnight” Outstanding Version of the Great Jazz Classic
RIVM-001 “The Riverside Jazz Sampler” (West Germany)
RLP12-310
RLP-3503
RLP-3507
RLP-3509
RLP-3516
RM-3522
RIVM-001
VICJ-40050/71CD
NAT ADDERLEY SEXTET
Nat Adderley (cnt) Bobby Timmons (p) Wes Montgomery (g) Sam Jones (cello) Percy Heath (b) Louis Hayes (drs)
Reeves Sound Studios, NYC; January 25, 1960
Sack O’ Woe (4:24) RLP12-318 R45-439
Work Song (4:12) - REP-3201 RIVM-001
Scramble Eggs (3:20) -
NOTE: all 3 titles also on RSLP-1167 (stereo), M-47047, SMJ-6041, OJC-363, VICJ-40060/71CD, VDJ-1539CD,
OJCCD-3363-2, VICJ-23527CD, VICJ-40061, VICJ-5106CD, VICJ-2217CD, VICJ-60333CD, VICJ-41090CD,
UCCO-9082CD, UCCO-5057CD
RLP12-318 “Work Song” Produced and notes by Orrin Keepnews; recording Engineer: Jack Higgins & mastered
by Jack Matthews. Cover designed and produced by Paul Bacon – Ken Braren – Harris Lewine.
Cover and back-liner photo by Lawrence N. Shustak.
RIVM-001 “The Riverside Jazz Sampler” (West Germany)
R45-439
RLP12-318
RIVM-001
VICJ-40050/71CD
WES MONTGOMERY QUARTET
Wes Montgomery (g) Tommy Flanagan (p) Percy Heath (b) Albert Heath (drs)
Reeves Sound Studios, NYC; January 26, 1960
Airegin (4:26) RLP12-320 Rvs45-441
West Coast Blues (7:22) -
Four on Six (6:12) -
D Natural Blues (5:23) - MSP-1
In Your Own Sweet Way (4:45) -
NOTE: all 5 titles also on RSLP-1169 (stereo), M-47003, SMJ-6046, VIJ-104, OJC-036, VICJ-40060/71CD, VDJ-1538CD,
VIJJ-30014, VICJ-23525CD, VICJ-5077CD, VICJ-2218CD, VICJ-60297CD, VICJ-41023CD, VICJ-4123CD,
UCCO-9012CD, UCCO-5010CD, (ABC) 109 563
RLP12-320 “The Incredible Guitar of Wes Montgomery” Produced and notes by Orrin Keepnews.
Recording Engineer: Jack Higgins & mastered by Jack Matthews.
Cover designed and produced by Paul Bacon – Ken Braren – Harris Lewine; cover and back-liner photo
by Lawrence N. Shustak.
RLP12-320
VICJ-40050/71CD
R45-441
(ABC) 109 563
NAT ADDERLEY SEXTET
Nat Adderley (cnt) Bobby Timmons (p) Wes Montgomery (g) Sam Jones (b-1, cello-2) Keter Betts (b-3, cello-4)
Percy Heath (b-5) Louis Hayes (drs)
Reeves Sound Studios, NYC; January 27, 1960
Pretty Memory (1,3) (3:50) RLP12-318 R45-439 RLP(S9)-3512 S-5
Fallout (1,2,3,4) (4:52) -
omit B. Timmons
My Heart Stood Still (2,4) (6:42) -
Mean to Me (3) (4:55) -
NOTE: ‘My Heart Stood Still’ (6:20), ‘Mean to Me’ (4:35) on RLP12-318
all 4 titles also on RSLP-1167 (stereo), M-47047, SMJ-6041, OJC-363, VDJ-1539CD, OJCCD-3363-2, VICJ-23527CD, VICJ-40061, VCJ-5106CD, VICJ-2217CD, VICJ-60333CD, VICJ-41090CD, UCCO-9082CD, UCCO-5057CD
RLP12-318 “Work Song” Produced and notes by Orrin Keepnews; recording Engineer: Jack Higgins
& mastered by Jack Matthews. Cover designed and produced by Paul Bacon – Ken Braren – Harris Lewine.
Cover and back-liner photo by Lawrence N. Shustak.
RLP(S9)-3512 “The Compositions of Bobby Timmons”
S5: “The Soul of Jazz – 1961”
RLP12-318
RLP-3512
S-5
VICJ-40050/71CD
R45-439
WES MONTGOMERY QUARTET
Wes Montgomery (g) Tommy Flanagan (p) Percy Heath (b) Albert Heath (drs)
Reeves Sound Studios, NYC; January 28, 1960
Mister Walker (4:33) RLP12-320 S-5 Rvs45-441
Polka Dots and Moonbeams (4:42) -
Gone with the Wind (6:42) -
NOTE: all 3 titles also on RSLP-1169, M-47003, SMJ-6046, VIJ-104, OJC-036, VICJ-40060/71CD, VDJ-1538CD, VIJJ-30014,
VICJ-23525CD, VICJ-5077CD, VICJ-2218CD, VICJ-60297CD, VICJ-41023CD, VICJ-41213CD, (ABC) 109 563
‘Gone with the Wind’ (6:13) on RLP12-320
RLP12-320 “The Incredible Guitar of Wes Montgomery” Produced and notes by Orrin Keepnews.
Recording Engineer: Jack Higgins & mastered by Jack Matthews.
Cover designed and produced by Paul Bacon – Ken Braren – Harris Lewine;
Cover and back-liner photo by Lawrence N. Shustak.
S-5 “Riverside: The Soul of Jazz”
RLP12-320
S-5
VICJ-40050/71CD
R45-441
(ABC) 109 563
NAT ADDERLEY TRIO
Nat Adderley (cnt) Wes Montgomery (g) Sam Jones (b)
Reeves Sound Studios, NYC; January 28, 1960
Violets for Your Furs (3:46) RLP12-318
I’ve Got a Crush on You (2:56) -
NOTE: both titles also on RSLP-1167, M-47047, SMJ-6041, OJC-363, VDJ-1539CD, OJCCD-3363-2, VICJ-23527CD,
VICJ-40061, VICJ-5106CD, VICJ-2217CD, VICJ-60333CD, VICJ-41090CD, UCCO-9082CD, UCCO-5057CD
RLP12-318 “Work Song” Produced and notes by Orrin Keepnews; recording Engineer: Jack Higgins
& mastered by Jack Matthews. Cover designed and produced by Paul Bacon – Ken Braren – Harris Lewine.
Cover and back-liner photo by Lawrence N. Shustak.
RLP12-318
VICJ-40050/71CD
HAROLD LAND SEXTET
Joe Gordon (tp) Harold Land (ts) Wes Montgomery (g) Barr Harris (p) Sam Jones (b) Louis Hayes (drs)
San Francisco; May 17, 1960
Compulsion (6:17) JLP(S9)-20
Terrain (7:44) -
same person San Francisco; May 18, 1960
Ursula (7:10) J LP(S9)-20
Don’t Explain (4:50) -
Klactoveesedstene (9:55) - RLP-3506
West Coast Blues (6:01) - JLP(S9)-1001
NOTE: all 6 titles also on VIJ-4080, VICJ-23660CD, VICJ-2222CD, VICJ-60497CD, VICJ-40060/71CD
JLP(S9)-20 “West Coast Blues” Produced and notes by Orrin Keepnews; recording Engineer: Wally Heider.
Cover designed by Ken Deardoff; cover and back-liner photo by Jerry Stoll.
RLP-3506 “The Compositions of Charlie Parker”
JLP(S9)-1001 “The Stars of Jazz 1961”
JLP(S9)-20
RLP-3506
JLP(S9)-1001
VICJ-40050/71CD
CANNONBALL ADDERLEY QUINTET
Cannonball Adderley (as) Wes Montgomery (g) Victor Feldman (p) Ray Brown (b) Louis Hayes (drs)
San Francisco; May 21, 1960
The Chant (6:34) RLP(S9)-355 Rvs45-465
Lolita (8:03) - -
Azule Serape (6:26) -
NOTE: all 3 titles also on VDJ-1601CD, Landmark LLP-1304, VICJ-40060/71CD
RLP(S9)-355 “Cannonball Adderley and the Poll-Winners”
Produced and notes by Orrin Keepnews; recording Engineer: Wally Heider; mastered by Jack Matthews.
Cover designed by Ken Deardoff; photo by Donald Silverstein; back-liner photo by Jerry Stoll
and Montgomery photo by Lawrence N. Shustak
RLP(S9)-355
VICJ-40050/71CD
CANNONBALL ADDERLEY QUINTET
Cannonball Adderley (as) Wes Montgomery (g) Victor Feldman (vib,p) Ray Brown (b) Louis Hayes (drs)
LA; June 5, 1960
Yours Is My Heart Alone (1) (6:02) RLP(S9)-355
Never Will I Marry (8:30) -
Au Privave (take 1) (4:24)
Au Privave (take 2) (4:49) - RLP-3506
NOTE: (1) V. Feldman on (vib)
all 4 titles also on VDJ-1601CD, Landmark LLP-1304, VICJ-40060/71CD
RLP(S9)-355 “Cannonball Adderley and the Poll-Winners”
Produced and notes by Orrin Keepnews; recording Engineer: Wally Heider; mastered by Jack Matthews.
Cover designed by Ken Deardoff; photo by Donald Silverstein; back-liner photo by Jerry Stoll
and Montgomery photo by Lawrence N. Shustak
RLP-3506 “The Compositions of Charlie Parker” .
RLP(S9)-355
RLP-3506
VICJ-40050/71CD
WES MONTGOMERY QUINTET
James Clay (fl,ts) Victor Feldman (p) Wes Montgomery (g, b-g) Sam Jones (b) Louis Hayes (drs)
Los Angeles; October 11 & 12, 1960
Tune-Up (take 4) (4:29) RLP12-342 Rvs45-459 RLP-3504 M-47040 SMJ-6199
Tune-Up (take 9) (4:41) (A) M-47065 VIJ-4029
Body and Soul (take 2) (1) (11:19) (A) - -
Body and Soul (take 4/6) (7:28)
Body and Soul (take 7) (1) (7:19) RLP12-342 M-47040 SMJ-6199
Sandu (3:23) - - -
So Do It! (take 1) (6:25)
So Do It! (take 6) (6:05 - - -
Movin’ Along (take 1) (6:39) (A) M-47065 VIJ-4029
Movin’ Along (take 4) (6:24) (A) M-47040 -
Movin’ Along (take 5) (6:12) RLP12-342 Rvs45-459 M-47040 SMJ-6199
Ghost of A Chance (2) (5:02) - - -
Says You (2) (5:00) - - -
NOTE: (1) W. Montgomery on (b-g), (2) J. Clay out
‘Movin’ Along’ (5:40) on RLP(S9)-342
RLP(S9)-342 also on SMJ-6199
RLP(S9)-342 + (A) also on VICJ-2229CD, VICJ-41166CD
All 13 titles also on VICJ-40060/71
RLP(S9)-342 “Movin’ Along” Produced and notes by Orrin Keepnews.
Recording Engineer: Wally Heider & mastered by Jack Matthews.
Cover designed by Ken Deardoff and front & back-liner photos by William Claxton.
RLP-3504 “The Compositions of Miles Davis”
RLP-342
RLP-3504
VICJ-40050/71CD
WES MONTGOMERY QUARTET
Buddy Montgomery (p, vib) Wes Montgomery (g) Monk Montgomery (b) Bobby Thomas (drs)
Plaza Sound Studios, NYC; January 3, 1961
Doujie (take 6) (4:35) RLP(S9)-362
Doujie (take 7) (4:26) (A) M-47065 VIJ-4027
Just for Now (4:56) RLP(S9)-362
Groove Yard (3:01) -
Heart Strings (4:34) -
Remember (5:37) - RLP-3519
Delirium (3:40) -
Back to Back (take 1) (5:37) (A) M-47065 VIJ-4027
Back to Back (take 3) (6:44) RLP(S9)-362
If I Should Lose You (take 2) (6:12)
If I Should Lose You (take 4) (5:43) -
Doujie (take 8) (4:48)
NOTE: 8 titles of RLP(S9)-362 also on M-47051 & SMJ-6141, VICJ-23655CD, ABC 109 562
‘Just for Now’ (4:45) on RLP-9362
RLP(S9)-362 + (A) also on VICJ-23655Cd, VICJ-60001, VICJ-41263CD
All 12 titles also on VICJ-40060/71CD
RLP(S9)-362 “Groove Yard” Produced by Orrin Keepnews; and notes by Ira Gitler.
Recording Engineer: Ray Fowler; mastered by Jack Matthews.
Designed by Ken Deardoff and cover photo by Don Silverstein.
RLP-3519 “Great Jazz Artists Play Compositions of Irving Berlin”
VIJ-4027 “Wes Montgomery: Born to Be Blue”
RLP-362
RLP-3519
VICJ-40050/71CD
(ABC) 109 562
WES MONTGOMERY QUINTET
Wes Montgomery (g) Hank Jones (p) Ron Carter (b) Lex Humphries (drs) Ray Barretto (cng-1)
Plaza Sound Studios, NYC; August 4, 1961
Something Like Bags (1) (4:47) RLP(S9)-382
I’m Just Lucky So and So (5:56) -
Cotton Tail (1) (3:39) - RLP-3510
Twisted Blues (1) (5:36) -
I Wish I Knew (1) (5:28) -
Repetition (1) (3:53) - MSP-1
While We’re Young (2) (2:15) -
One for My Baby (7:44) - RLP-3518
NOTE: (2) W. Montgomery (g) solo
all 8 titles also on M-47003 & SMJ-6100, VDJ-1642CD, VICJ-23656CD, VICJ-60013CD, UCCO-9113CD,
UCCO-5103CD, VICJ-41107CD, VICJ-40060/71
RLP(S9)-382 “Wes Montgomery: So Much Guitar!”
Produced and notes by Orrin Keepnews; recording Engineer: Ray Fowler & mastered at Plaza Sound Studios.
Cover designed by Ken Deardoff and photo by Donald Silverstein; back-liner photo by Steve Schapiro.
RLP-3510 “The of Duke Ellington, Vol. 2”
‘One for My Baby’ (4:03) on RLP-3518
RLP-3518 “Great Jazz Artists Play Compositions of Harold Arlen”
RLP-382
RLP-3510
RLP-3518
VICJ-40050/71CD
GEORGE SHEARING WITH THE MONTGOMERY BROTHERS
George Shearing (p) Wes Montgomery (g) Buddy Montgomery (vib) Monk Montgomery (b) Walter Perkins (drs)
United Sound Studios, LA; October 9, 1961
Darn That Dream (take 1) (4:11) (A)
RF42 Darn That Dream (take 8) (4:18) JLP(S9)-55 J45-712
RF44 And Then I Wrote (3:15) - J45-713
RF40 Double Deal (3:47) - J45-711
RF41 No Hard Feelings (3:45) - J45-712
Love Walked in (take 1) (3:39) (A)
RF37 Love Walked in (take 11) (2:10) - J45-710 J2502 RM(S9)-3517
RF46 Lois Ann (3:08) - J45-714
Enchanted (3:41) -
Enchanted (alt take) (unissued)
RF39 Love for Sale (3:32) JLP(S9)-55 J45-711 RM(S9)-3515
Armando Peraza (cng, bongo) Ricardo Chimelis (timbals cng) added
United Sound Studios, LA; October 10, 1961
RF45 Stranger in Paradise (4:47) JLP(S9)-55 J45-714
Mambo in Chimes (take 1) (4:08) (A)
RF38 Mambo in Chimes (take 11)(1) (2:26) - J45-710
RF43 The Lamp Is Low (1) (2:11) - J45-713
NOTE: (1) A. Peraza & R. Chimelis replace for W. Perkins
all 11 titles of JLP(S9)-55 also on M-47013, SMJ-6087& OJC-040
JLP(S9)-55 + (A) also on VICJ-60018CD, UCCO-9122CD
on CD VICJ-40060/71 issues “The Lamp Is Low” as “Pavane Pour tune Infante Defunt”
JLP(S9)-55 “George Shearing with the Montgomery Brothers” Produced and notes by Orrin Keepnews.
Recording Engineer: Wally Heider and mastered at Plaza Sound Studios.
Cover designed by Ken Deardoff and photographs by William Claxton.
RM(S9)-3515 “Great Artists Play Compositions of Cole Porter”
JLP-55
RM-3515
VICJ-40050/71CD
MILT JACKSON AND WES MONTGOMERY
Milt Jackson (vib) Wynton Kelly (p) Wes Montgomery (g) Sam Jones (b) Philly Joe Jones (drs)
Plaza Sound Studios, NYC; December 18, 1961
Blue Roz (take 3) (4:45) M-47013 VIJ-4028
Blue Roz (take 4) (4:45) RLP(S9)-407 M-47013
Jingles (take 8) (6:51) (A) M-47065 VIJ-4028 VICJ-23556CD
Jingles (take 9) (6:56) RLP(S9)-407 47013
Stairway to the Stars (take 2) (3:45) (A) M-47065 VIJ-4028 -
Stairway to the Stars (take 6) (3:36) RLP(S9)-407 Rvs45-472, M-47013
Stablemates (take 2) (5:17)
Stablemates (take 4) (5:43) - RLP(S9)-3505 M-47013
same person Plaza Sound Studios, NYC; December 19, 1961
Sam Sack (take 2) (5:36)
Sam Sack (take 3) (6:04) RLP(S9)-407 M-47013
S.K.J. (take 4) (5:18)
S.K.J. (take 7) (5:14) RLP(S9)-407 Rvs45-472 M-47013
Delilah (take 3) (6:18) (A) M-47013 VIJ-4028 VICJ-23556CD
Delilah (take 4) (6:11) RLP(S9)-407
NOTE: all 7 titles of RLP(S9)-407 also on M-47013, SMJ-6058, VIJ-124, VDJ-1550CD, VICJ-23556CD
RLP(S9)-407 + (A) also on VICJ-40060/71CD, VICJ-60021CD, VICJ-60476CD, VICJ-41082CD, UCCO-9131CD,
UCCO-5098CD
RLP(S9)-407 “Bags Meets Wes” Produced by Orrin Keepnews; notes by Joe Goldberg.
Recording Engineer: Ray Fowler and mastered by Neal Ceppos at Plaza Sound Studios.
Cover designed by Ken Deardoff; photo: no information.
RLP(S9)-3505 “The Compositions of Benny Golson”Back-liner photo by Steve Schapiro.
VIJ-4028 “Wes Montgomery: Moanin’”
RLP(S9)-407
RLP-3505
VIJ-4028
VICJ-40050/71CD
WES MONTGOMERY QUINTET
Johnny Griffin (ts) Wynton Kelly (p) Wes Montgomery (g) Paul Chambers (b) Jimmy Cobb (drs)
‘live’ at Tsubo Club, California; June 25, 1962
Come Rain or Come Shine (take 1) (7:20) (A) M-47065 VIJ-4027 VICJ-23581CD VICJ-5086CD
Born to Be Blue (take 1) (7:30)
Blue ‘n’ Boogie (take 1) (11:02)
Cariba (take 1) (8:28)
S.O.S. (take 2) (4:47) (A) - - - -
Come Rain or Come Shine (take2) (6:57) RLP(S9)-434 M-47040 -
Born to Be Blue (take 2) (1) (7:35) (A) - VIJ-4027 VICJ-23581CD
Full House (9:13) RLP(S9)-434 SE-2076 M-47040 -
Cariba (take 2) (9:40) - - - -
Blue ‘n’ Boogie (9:58) - - -
S.O.S. (take 3) (5:02) - - -
I’ve Grown Accustomed to Her Face (1) (3:26) - - -
NOTE: (1) J .Griffin out
6 titles of RLP(S9)-434 also on M-47040 & SMJ-6069, VIJ-103, VDJ-1508CD, VICJ-5086CD, DIW-9015, (ABC) 109 561
RLP(S9)-434 + (A) also on VICJ-60028CD, VICJ-60171CD, VICJ-60298CD, VICJ-61056CD, VICJ-41022CD,
VICJ-41212CD, UCCO-9011CD, UCCO-5007CD
All 11 titles except ‘Blue ‘n Bogie (take 1) also on Keepnews Collection 0888072301290
All 12 titles also on VICJ-40060/71CD, UCCO-9482CD
RLP(S9)-434 “Full House” Produced and notes by Orrin Keepnews; recording Wally Heider.
Cover designed by Ken Deardoff; cover photo: no credit and back-liner photos by Jim Marshall.
VIJ-4027 “Wes Montgomery: Born to Be Blue”
RLP(S9)-434
VIJ-4027
VICJ-40050/71CD
SE-2076
(ABC) 109 561
WES MONTGOMERY QUINTET WITH STRINGS
Wes Montgomery (g) Dick Hyman (p) Kenny Burrell (g) Milt Hinton (b) Osie Johnson (drs)
Phil Bodner (woodwinds) Gloria Agastini (harp) Gene Orloff, Harry Lookofsky, David Nadien, Winston Collymore, Mac Aeppos, Arnold Eidus, Leo Kruczek, Raoul Poliakin, Isadore Zir (violins) Alfred Brown, Burt Fisch (violas) Charles McCracken, George Ricci (cello)
Plaza Sound Studios, NYC; April 18, 1963
In the Wee Small Hours
of the Morning (2:48) RM(S9)-472 M-47030
Pretty Blue (take 1) (1) (3:16) (A)
Pretty Blue (take 2) (1) (3:39) - -
The Girl Next Door (take 1) (3:07)
The Girl Next Door (take 2) (3:06) - -
Hank Jones (p, celeste) replaces for D. Hyman
God Bless the Child (take 2) (1) (3:15) (A) - VIJ-4027
God Bless the Child (take 4) (1) (3:17) RM(S9)-472 -
My Romance (2:29) - -
Prelude to A Kiss (take 2) (3:04)
Prelude to A Kiss (take 3) (3:06) - -
All the Way (2:37) - -
Sam Rand, Sylvan Shulman, Paul Winter, (violin) replaces for A. Eidus, L. Kruczek, Ralph Hersh replaces A. Brown,
Burt Fisch (violas) Lucien Schmit, Kermit Moore (cello) replaces for C. McCracken, G. Ricci
Plaza Sound Studios, NYC; April 19, 1963
Somewhere (3:28) RM(S9)-472 M-47030
Tune Up (take 1) (4:50)
Tune Up (take 2/3) (5:06) (A) M-47065 VIJ-4027 VICJ-23657CD
Tune Up (take 4) (4:41) (A) M-47030 - -
Tune Up (take 5) (4:46) - -
Tune Up (take ?) (3:12) RM(S9)-472
Baubles, Bangle and Beads (take 3) (2:21)
Baubles, Bangle and Beads (take 4) (2:22) - M-47030 -
NOTE: (1) P. Bodner out
10 titles of RM(S9)-472 also on SMJ-6210
RM(S9)-472 + (A) also on VICJ-60034CD, VICJ-41167CD
10 titles of M-47030 also on VICJ-23657CD
all 19 titles also on VICJ-40060/71CD
‘Tune Up’ (3:12) on RM(S9)-472
RM(S9)-472 “Fusion!”: with Strings; arranged and conducted by Jimmy Jones
VIJ-4027 “Wes Montgomery: Born to Be Blue”
Produced by Orrin Keepnews; recording Engineer: Ray Fowler
RM(S9)-472
VIJ-4027
VICJ-40050/71CD
WES MONTGOMERY TRIO
Melvin Rhyne (org) Wes Montgomery (g) Jimmy Cobb (drs)
Plaza Sound Studios, NYC; April 22, 1963
The Trick Bag(take2/5) (4:25) RM(S9)-459 M-47057
The Trick Bag (take 6) (5:03)
Days of Wine and Roses (3:47) - M-47030
Canadian Sunset (5:05) - -
Dearly Beloved (4:50) - -
For Heaven’s Sake (4:40) - -
Besame Mucho (take 2) (6:25) (A) M-47065 VIJ-4029
Besame Mucho (take 3) (6:29) RM(S9)-459 -
Fried Pies (take 1) (6:32) (A) - -
Fried Pies (take 2) (7:38) RM(S9)-494 - VICJ-2210CD UCCO-9115CD
The Breeze and I (4:09) RM(S9)-459 -
NOTE: 8 titles of RM(S9)-459 also on SMJ-6111, VIJ-145, VDJ-1620CD
RM(S9)-459 + (A) also on VICJ-5138CD, VICJ-23557CD, VICJ-60035CD, VICJ-60337CD, VICJ-41024CD,
VICJ-41214CD, UCCO-9075CD, UCCO-5051CD
all 11 titles also on VICJ-40060/71CD
‘Fried Pies’ (6:44) on RM(S9)-459
RM(S9)-459 “Boss Guitar”
RM(S9)-494 “Guitar on the Go”
Produced by Orrin Keepnews; recording Engineer: Ray Fowler
RM-459
RM(S9)-494
VICJ-40050/71CD
WES MONTGOMERY TRIO
Melvin Rhyne (org) Wes Montgomery (g) George Brown (drs)
NYC; October 10, 1963
Moanin’ (take 7) (6:18) (A) RLP(S9)-492 M-47057 VICJ-23658CD
Dreamsville (3:50) RLP(S9)-494 M-47030
Freddie the Freeloader (5:14) - - -
Movin’ Along (6:16)
Mi Cosa (take 1) (3:37)
NOTE: all titles of RLP(S9)-492 also on SMJ-6202
RLP(S9)-494 also on SMJ-6168, VICJ-2210CD, UCCO-9115CD
‘Moanin’’ (5:46) & ‘Movin’ Along’ (6:16) on RM(S9)-492
RLP(S9)-492 + (A) also on VICJ-6038CD, UCCO-9116CD, UCCO-5133CD
All 5 titles also on VICJ-40060/71CD
RM(S9)-492 “Portrait of Wes”
RM(S9)-494 “Guitar on the Go”
VIJ-4028 “Wes Montgomery: Moanin’”
Produced by Orpheum Productions; recording Engineer: no information
RM(S9)-492
RM(S9)-494
VIJ-4028
VICJ-40050/71CD
WES MONTGOMERY TRIO
Melvin Rhyne (org) Wes Montgomery (g) George Brown (drs)
NYC; November 27, 1963
For All We Know (4:29) RLP(S9)-494 M-47030
The Way You Look Tonight (take1) (9:09) -
The Way You Look Tonight (take 2) (5:49) (A) M-47065 VIJ-4029
Yesterday’s Child (4:11) RLP(S9)-492 VICJ-23658
Geno (2:54) -
Dangerous (6:59) - -
Lolita (6:32) - -
Blues Riff (take 7) (4:15) M-47057 VIJ-4028 -
Blues Riff (take 8) (8:12) (B) - - -
Moanin’ (take 10) (6:46) - - - -
NOTE: ‘Blues Riff’ (6:16); ‘Lolita’ (6:32) on VICJ-23658CD, UCCO-9116CD
all titles of RLP(S9)-492 also on SMJ-6202
RLP(S9)-492 + (B) also on VICJ-60038CD, UCCO-9116CD, UCCO-5133CD
all titles of RLP(S9)-494 also on SMJ-6168
RLP(S9)-494 + (A) also on VICJ-2210CD, UCCO-9115CD
All 10 titles also on VICJ-40060/71CD
RM(S9)-492 “Portrait of Wes”
RM(S9)-494 “Guitar on the Go”
VIJ-4028 “Wes Montgomery: Moanin’”
Produced by Orpheum Productions; recording Engineer: no information
RM(S9)-492
RM(S9)-494
VIJ-4028
VICJ-40050/71CD